For Nobel laureate Naguib Mahfouz, Cairo has always been a place of special resonance. As the place in which he was born and has lived his whole life, it is a city he loves passionately and has visited and revisited in his writing. It is the setting for nearly all his novels and short stories, not merely as a backdrop but as an integral part of his fiction, playing its own role in the dramas. The old streets of the Cairo Trilogy and the microcosmic cul-de-sac of Midaq Alley become fictional characters as fascinating as the human ones for Naguib Mahfouz. A longtime admirer of the novels of Naguib Mahfouz, photographer Britta Le Va discovered old Cairo through his works. Here, she guides us through his pages, and treads his streets and alleys, to produce a collection of outstanding visual images of the historic city. Each complements a verbal image selected from Mahfouz’s writings. In his introduction, novelist Gamal al-Ghitani describes a walking tour with the great man around the streets of Gamaliya, that historic heart of the old city where both of them—more than thirty years apart—were born and grew up. Along the way, Mahfouz reminisces and remarks on what had changed and what had not in eight decades.
The Cairo of Naguib Mahfouz
Photographs by
Britta Le Va
Text by
Gamal al-Ghitani
Foreword by
Naguib Mahfouz
15 September 2012
112 pp.
80 color photographs
21X21cm
ISBN 9789774165528
For sale worldwide
$29.95
Britta Le Va is a photographer based in New York.
To read an interview with German-born photographer about her book, The Cairo of Naguib Mahfouz (AUC Press, 2012), click here.
Naguib Mahfouz
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The novelist’s camera pans from the dome of King Fuad University (now Cairo University) to students streaming out of the campus, focusing on four students in their twenties, each representing a different trend in Egypt in the 1930s. Finally the camera comes to rest on Mahgub Abd al-Da’im. A scamp, he fancies himself a nihilist, a hedonist, an egotist, but his personal vulnerability is soon revealed by a family crisis back home in al-Qanatir, a dusty, provincial town on the Nile that is also a popular destination for Cairene day-trippers. Mahgub, like many characters in works by Naguib Mahfouz, has a hard time finding the correct setting on his ambition gauge. His emotional life also fluctuates between the extremes of a street girl, who makes her living gathering cigarette butts, and his wealthy cousin Tahiya. Since he thinks that virtue is merely a social construct, how far will our would-be nihilist go in trying to fulfill his unbridled ambitions? What if he discovers that high society is more corrupt and cynical than he is? With a wink back at Goethe’s Faust and Henry Fielding’s Joseph Andrews, Mahgub becomes a willing collaborator in his own corruption. Published in Arabic in the 1940s, this cautionary morality tale about self-defeating egoism and ill-digested foreign philosophies comes from the same period as one of the writer’s best-known works, Midaq Alley. Both novels are comic and heartfelt indictments not so much of Egyptian society between the world wars as of human nature and our paltry attempts to establish just societies.
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Life’s Wisdom
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