With over 300 full-color photographs, this is the first fully illustrated book devoted to Christian houses of worship in Egypt. The text incorporates the latest research to complement the broad geographic scope covering nearly all significant Coptic sites throughout the country, from the ancient Coptic churches in Old Cairo to the churches in the monasteries of Wadi al-Natrun, the Red Sea, and Upper Egypt. Churches associated with the Holy Family’s sojourn in Egypt, including Gabal al-Tayr and Dayr al-Muharraq, enrich the volume. Churches of all other Christian denominations in Egypt are also described and beautifully illustrated here. A number of Greek Orthodox churches, Evangelical Coptic, Catholic, Armenian, and Anglican churches are included. Introductory chapters on the history of Christianity in Egypt, the architecture of the Coptic Church, and Coptic wall paintings help readers to appreciate fully the great cultural, artistic, and architectural heritage of Egypt’s Christians.
The Churches of Egypt
From the Journey of the Holy Family to the Present Day
Gertrud J.M. van Loon
1 November 2012
350 color illus.
For sale worldwide
Sherif Sonbol is a highly regarded Egyptian photographer. He has contributed photographs to numerous illustrated books, including The Churches of Egypt (AUC Press, 2008), The Nile Cruise: An Illustrated Journey (AUC Press, 2010), and The History and Religious Heritage of Old Cairo (AUC Press, 2013)
Architecture for the Poor
An Experiment in Rural Egypt
An Experiment in Rural EgyptHassan Fathy
In this now classic work, Hassan Fathy, Egypt’s greatest twentieth-century architect, describes in detail his plan for building the village of New Gourna on the west bank of the Nile at Luxor, employing both the traditional building material, mud brick, and such traditional Egyptian architectural features as enclosed courtyards and domed and vaulted roofing. Fathy worked closely with the people to tailor his designs to their needs; he taught them how to work with the mud bricks, supervised the erection of the buildings, and encouraged the revival of ancient techniques, such as the use of claustra (mud-brick latticework) to adorn the buildings. Although bureaucratic red tape and other problems prevented the completion of New Gourna, Fathy’s ideas have since commanded widespread attention both inside and outside Egypt, and Architecture for the Poor remains a testament to his vision as an architect of conscience. “Fathy demonstrates very powerfully that it is possible to build for the poor … cheaply and humanly by the use of earth for building and by teaching people to build for themselves. There is no other book quite like this.” —Choice...read more
132 b/w illus.
Hassan Fathy and Continuity in Islamic Arts and Architecture
The Birth of a New Modern
The Birth of a New ModernAhmad Hamid
Hassan Fathy, the Egyptian architect known for his recognition of the potential of vernacular forms as a vital force in contemporary architectural design, sought to integrate the traditions of Islamic art with his modern visions for living. Guided by Fathy’s principles, Ahmad Hamid, an architect who collaborated with Hassan Fathy in the Institute for Appropriate Technology, identifies questions about the nature of Islamic art and its building culture, as well as the origins of modern architecture. This richly illustrated book provides new insights into Hassan Fathy’s profuse, pathbreaking design documents and built projects, while exploring the socioeconomic, environmental, psychological, and esthetic components of Fathy’s work in the light of a quest for a new universal modernity for the twenty-first century....read more
15 December 2010
100 b/w photographs and drawings
Egypt and Nubia / The Holy Land
Limited Collector’s edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe
Limited Collector’s editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding special three-volume collector’s edition that reproduces in unprecedented print quality all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this limited collector’s edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this unique and exquisitely produced edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Early Persian Painting
Kalila and Dimna Manuscripts of the Late 14th Century
Kalila and Dimna Manuscripts of the Late 14th CenturyBernard O’Kane
Kalila wa Dimna (or The Fables of Bidpai) is one of the gems of world culture, having been translated through the centuries everywhere from China to Spain. The stories of Kalila wa Dimna, like the Fables of Aesop or Lafontaine, are subtle and suggestive moral tales—a kind of repository of wisdom and understanding about the human condition. It was the most commonly illustrated medieval Islamic text. This book focuses on the group of seven Persian manuscripts from the second half of the fourteenth century, which contain several of the finest masterpieces of Persian painting. It is a work of enormous erudition and scholarly importance, a huge contribution for art historians and students interested in Persian painting and early Islamic art. In a world now besotted with images, these superb early paintings can give us a glimpse of the power and delight that they must have given their original viewers, and help explain the work’s attractiveness throughout the ages. “These pages will remain forever as a basic tool for all further work on this particular text and as a model for the study of illustrated manuscripts in general”—Oleg Grabar, Institute for Advanced Study, Princeton...read more
50 b/w, 91 color illus.