The Coptic Orthodox Liturgy of St. Basil Reviews

The Coptic Christian tradition is one that goes back almost two thousand years to the very beginnings of Christianity: Mark the Evangelist himself is said to have brought the faith to Alexandria. In his Two Thousand Years of Coptic Christianity (AUC Press, 1999), renowned scholar Otto Meinardus reviewed the history of the official church from its earliest days to the end of the twentieth century, with its doctrinal disputes and its long isolation from other world churches. Here in Coptic Saints and Pilgrims, he examines the other side of the coin, the popular traditions and beliefs of the people. While the Coptic Orthodox church is strongly influenced by Hellenistic modes of thinking, many of the folk attitudes and practices by contrast have their roots in the religious heritage of pharaonic Egypt, and while the official faith is by its sacramental nature exclusive, the folk religion is inclusive and touches every aspect of the personal lives of ordinary Copts. It is this popular aspect of Coptic religious devotion that is revealed here, in its many points of focus: biblical saints, martyrs, ascetics, equestrian warriors, ‘silverless’ physicians, women saints, pilgrimage, dreams, visions, and apparitions.

Rumi and the Whirling Dervishes is an account of the Mevlevi Sufi order and its founder, the poet and mystic Mevlana Jalalu’ddin Rumi. Rumi danced and sang his famous verses in memory of his friend and teacher Shams Tabriz, who opened to him the way to direct experience of the Divine Beloved. After Rumi’s death in 1273, the whirling dance was introduced as part of the Mevlevi ritual, a statement of a timeless and passionate yearning toward God. Author Shems Friedlander has been doing documentary photography of the whirling dervishes since his first trip to Konya in 1973, and this book features haunting, evocative pictures of the order’s dancers, clad in their traditional white skirts and tall hats that represent their tombstones. Taken within the dervish lodges, known as tekkes, these photographs provide an insider’s view of ceremonies usually closed to the public. Friedlander’s images of the dervishes in mid-whirl evoke the exaltation of union with the divine source. In addition to Rumi’s life story and the accounts of dervishes past and present, the book features excerpts from Rumi’s poetry and the teachings of other Sufi masters, descriptions of the tekke and the symbolism of the dervish ceremony, an overview of the music that accompanies the Mevlevis’ turn, and a concluding section on the universality of Rumi’s message of love. This classic account of the Whirling Dervishes is now presented in a new and revised edition containing additional text and photographs.