In 1968 Egyptian novelist and political exile Waguih Ghali committed suicide in the London flat of his editor, friend, and sometime lover, Diana Athill. Ghali left behind six notebooks of diaries that for decades were largely inaccessible to the public. The Diaries of Waguih Ghali: An Egyptian in the Swinging Sixties, in two volumes, is the first publication of its kind of the journals, casting fascinating light on a likable and highly enigmatic literary personality. Waguih Ghali (1930?–69), author of the acclaimed novel Beer in the Snooker Club, was a libertine, sponger, and manic depressive, but also an extraordinary writer, a pacifist, and a savvy political commentator. Covering the last four years of his life, Ghali’s Diaries offer an exciting glimpse into London’s swinging sixties. Volume 1 tells of Ghali’s life in Rheydt, West Germany, providing unique insights from the perspective of an Egyptian immigrant on postwar Germany and shedding light on Ghali’s own writing and personality when he was at the peak of his depression. This volume also includes his reminiscences of his childhood in Alexandria and Cairo, drawing in bittersweet nostalgia a picture of a bygone era in Egypt, while in the background loom what would become milestone events in his adopted countries in subsequent decades: the Treblinka trials and the gains of the National Democratic Party in Germany and the rise of the Labour Party in Britain. Including an interview conducted by Deborah Starr with celebrated literary editor Diana Athill OBE, the Diaries bring together those most familiar with Ghali’s life and work, and offer a fresh take on a distinctive author and a vibrant decade.
The Diaries of Waguih Ghali
An Egyptian Writer in the Swinging SixtiesVolume 1: 1964–66
Including an interview withDiana Athill
29 December 2016
For sale worldwide
City of Memory
City of MemoryMichael Haag
In the decades before Nasser’s seizure of power and the Suez crisis, Alexandria was a magnet for the wealthy, the gifted, and the glamorous from around the world. The whole city looked seaward, its port one of the busiest in the Mediterranean, its spirit ecumenical, its life luxuriant and sensual. Alexandria was barely an Egyptian city, and the Egyptians who live there now inhabit the gently crumbling remains of a foreign world, whose palatial villas, Venetian apartments, art-nouveau cafes, Moorish hotels, and cinemas conceived in thirties deco, are haunted by a departed cast. “I lived a great, extravagant, and colorful life in wartime Alexandria,” recalled Lawrence Durrell, whose Alexandria Quartet is one of the greatest protraits of a city in modern literature. Michael Haag, who has lived in Alexandria, and has known Durrell and others who lived there during its cosmopolitan heyday, has retraced their footsteps to present an absorbing account of the places and the people of this most remarkable of cities. ‘’Michael Haag mixes memory and biography, politics and cultural studies in clear and seamless prose.’’—The New York Review of Books...read more
80 b/w illus.
Artisan Entrepreneurs in Cairo and Early Modern Capitalism 1600–1800
While historians have mined archives and court documents to create a picture of the commercial activities, networks, and infrastructure of merchants in Egypt prior to its incorporation into the European capitalist economy, few have documented a similar picture of the artisans and craftspeople. Artisans outnumbered merchants and their economic weight was considerable, yet details about their lives, the way they carried out their work, and their role or position in the economy is largely unknown. Nelly Hanna seeks to redress this gap by locating and exploring the role of artisans in the historical process. These artisans developed a variety of capitalist practices, both as individuals and collectively in their guilds. Hanna details how they defied the constraints of the guilds and actively engaged in the markets of Europe, demonstrating how Egyptian artisan production was able to compete and survive in a landscape of growing European trade. Deftly synthesizing a wide range of economic and historical theory, Hanna reinvigorates the current scholarship on early Ottoman history and provides a persuasive challenge to the largely shallow perception of artisans’ role in Egypt’s economy....read more
Contesting Antiquity in Egypt
Archaeologies, Museums, and the Struggle for Identities from World War I to Nasser
Donald Malcolm Reid
Archaeologies, Museums, and the Struggle for Identities from World War I to NasserDonald Malcolm Reid
The sensational discovery in 1922 of Tutankhamun’s tomb, close on the heels of Britain’s declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of ‘pharaonism’—popular interest in ancient Egypt—as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser’s revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies—Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciplines, as well as the closely related history of tourism, together in a single engaging framework.
Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt’s long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism.
Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader....read more
3 September 2019
92 integrated b/w illus., 1 map, 7 tables
Doria Shafik, Egyptian Feminist
A Woman Apart
A Woman ApartCynthia Nelson
Cynthia Nelson brings to life a bold and gifted Egyptian of the mid-twentieth century who helped define what it means to be a modern Arab woman. Doria Shafik (1908-1975), an Egyptian feminist, poet, publisher, and political activist, participated in one of her country’s most explosive periods of social and political transformation. During the ’40s she burst onto the public stage in Egypt, openly challenging every social, cultural, and legal barrier that she viewed as oppressive to the full equality of women. As the founder of the Daughters of the Nile Union in 1948, she catalyzed a movement that fought for suffrage and set up programs to combat illiteracy, provide economic opportunities for lower-class urban women, and raise the consciousness of middle-class university students. She also founded and edited two prominent women’s journals, wrote books in both French and Arabic, lectured throughout the world, married, and raised two children. For a decade, she ignited the imagination of the press, where she was variously described as the “perfumed leader,” a “danger to the Muslim nation,” a “traitor to the revolution,” and the “only man in Egypt.” Then, in 1957, following her hunger strike in protest against the populist regime of Gamal Abdul Nasser, she was placed under house arrest. Within months her magazines folded, her name was officially banned from the press, and she entered a long period of seclusion that ended with her suicide in 1975. With the cooperation of Shafik’s daughters, who made available her three impressionistic, unpublished, and sometimes contradictory memoirs, Nelson has uncovered Shafik’s story and brings the life and achievements of this remarkable woman to a Western audience....read more
14 b/w illus.
This book is only available for purchase from Egypt