In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas’s haunting chronicle of his immersion in the life of the camps, including Shatila, Burj al-Barajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film’s unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon’s bloody civil war, and at the height of the PLO’s power in Lebanon before the 1982 Israeli invasion and the PLO’s subsequent expulsion. Malas probes his subjects’ dreams and existential fears with an artist’s acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature.
A Diary of the Film
Introduced bySamirah Alkassim
15 December 2016
For sale worldwide
Egypt Visual Sourcebook
For Artists, Architects, and Designers
For Artists, Architects, and DesignersJim Hewitt
This unique visual reference guide will be an invaluable resource to professional designers—from architects to illustrators, production designers, art directors, decorators, film concept artists, sculptors, and painters. It utilizes color photographs to illustrate a wide range of locations and styles of architecture throughout Egypt, particularly highlighting universal architectural elements that may be incorporated into a variety of designs and styles including arches, doorways, windows, balconies, wall finishes, and more. Photographic plates of modern and ancient Egypt, showing markets, buildings, temples, tombs, and daily life are cross-referenced with enlarged details and grouped for functional comparisons to cater to the various approaches a designer may take from conception to completion. With some 1,000 color illustrations, thorough referencing, and detailed observation, this book will serve a very specific need while also appealing to a wider audience as a visual celebration of many aspects of Egypt, familiar and unfamiliar....read more
1 March 2011
Hardbound + CD392 pp.
1000 color illus.
History and Cultural Identity: Revised and Updated Edition
History and Cultural Identity: Revised and Updated EditionViola Shafik
Since it was first published in 1998, Viola Shafik’s Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history—economic, ideological, and aesthetic—with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry’s development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of “cultural repackaging.” Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades....read more
5 January 2017
50 b/w illus.
Arts of the City Victorious
Islamic Art and Architecture in the Fatimid North Africa and Egypt
Jonathan M. Bloom
Islamic Art and Architecture in the Fatimid North Africa and EgyptJonathan M. Bloom
Arts of the City Victorious is the first book-length study of the art and architecture of the Fatimids, the Shi‘ite dynasty that ruled in North Africa and Egypt from 909 to 1171. The Fatimids are most famous for founding the walled city of Cairo in 969, and their art—particularly textiles and luster ceramics, but also metalwork and carved rock-crystal, ivory, and woodwork—has been admired for nearly a millennium. Fatimid art is known for its strongly figural imagery, and its elegant and inventive use of Arabic calligraphy, particularly the angular Kufic script. Highlighting surviving examples of Fatimid art and architecture, this volume also draws on an unusual wealth of medieval sources that provide written evidence for the rich visual culture shared among the Muslim, Christian, and Jewish inhabitants of the Fatimid realm. Whereas earlier studies treated the two and a half centuries of Fatimid art and architecture as a single category, this book is the first to show how they grew and evolved over time. Written in an engaging and accessible style, this book focuses on key works of art, copiously illustrated with photographs, many in color. With this volume, art historian Jonathan Bloom synthesizes the findings of many scholars in many languages, to offer a rich portrait of a vibrant artistic period in Islamic civilization....read more
150 illus. incl. 50 color
Creswell Photographs Re-examined
New Perspectives on Islamic Architecture
Edited by Bernard O’Kane
New Perspectives on Islamic ArchitectureEdited by Bernard O’Kane
The Creswell photographic archive at the American University in Cairo is an invaluable resource of over 12,000 printed images of Islamic architecture, mainly in Cairo, but also including buildings in other important cities such as Córdoba and Baghdad. Creswell’s own photographs constitute the majority of the collection, but he also assembled work by photographers active in the decades before he began his systematic recording in the 1920s. This volume of collected studies seeks to highlight the value of this collection for scholars, who can examine the visual evidence of architecture now destroyed or altered in order to better understand various aspects of these significant buildings. Contributors discuss such issues as epigraphy in domestic and religious architecture, the use of early photographs as guides for modern restoration, and military architecture. Contributors: Tarek Galal Abdel-Hamid, Noha Abou-Khatwa, Conchita Añorve-Tschirgi, Dina Ishak Bakhoum, Nairy Hampikian, May al-Ibrashy, Hani Hamza, Chahinda Karim, Dina Montasser, Bernard O’Kane, Seif El-Rashidi, Ola Seif, Nicholas Warner....read more
1 July 2009
125 illus. incl. 25 color