The End of Spring Reviews

This first anthology of its kind gathers work from sixteen Iraqi writers. Shedding a bright light on the rich diversity of Iraqi experience, Shakir Mustafa has included selections by Iraqi women and men from a variety of backgrounds. While each voice is distinct, they are united in writing about a homeland that has suffered under repression, censorship, war, and occupation. Many of the selections mirror these grim realities, forcing the writers to open up new narrative terrains and experiment with traditional forms. Themes range from childhood and family to war, political oppression, and interfaith relationships. Mustafa provides biographical sketches of the writers and an enlightening introduction chronicling the evolution of Iraqi literature. Includes works by: Ibtisam Abdullah, Ibrahim Ahmed, Lutfiyya al-Dulaimi, Mayselun Hadi, Muhammad Khodayyir, Samira Al-Mana, Nasrat Mardan, Shmuel Moreh, Samir Naqqash, Abdul Sattar Nasir, Jalil al-Qaisi, Abdul Rahman Majeed al-Rubaie, Mahmoud Saeed, Salima Salih, Mahdi Isa al-Saqr, Samuel Shimon.

After ne’er-do-wells spread rumors about a widowed mother’s weak moral character among the people of a slum on the outskirts of Tunis that festers with migrants who have come to the metropolis from the heartland in search of a better life, her twenty-year-old son takes matters into his own hands and commits an unspeakable crime. An imaginative and disturbing novel told from the alternating viewpoints of this unrepentant sociopath, as he sits and fumes on death row but willingly guides us through his juvenile exploits and twisted memories, and his murdered mother, who calmly gives an account of her interrupted life from beyond the grave, A Tunisian Tale introduces the narrative talents of Hassouna Mosbahi to an English-language audience for the first time, as he confronts both taboos of Tunisian society and the boundaries of conventional storytelling.