The Final Bet Reviews

Being plucked from a Baghdad café and deposited in a cell block for political prisoners is a wakeup call for Aziz, the novel’s hero and narrator, a young man who has been living on automatic pilot—as if he were a guest visiting his own life—and he is finally forced to come to terms with the flawed world we inhabit and shape. Although never charged with any offense, he must adjust to a lengthy stay in prison, where he is befriended by Salam the yard boss, Mun‘im an idealistic university student with a beautiful sister named Salwa, Yusuf an idealist dispatched to the ‘Swamp,’ Salman an anarchist schoolteacher, and Mustafa an aged farmer who dreams of an alternative society. While these imprisoned revolutionaries teach Aziz to dream that an ideal city with his name on it may lie just over the horizon, the police supervisor encourages him to think of a simple crime to which he can confess so he can be charged and eventually released. Based on the author’s own incarceration in Iraq, Cell Block Five is a clear-headed, good-humored tribute to the prison’s men—both the inmates and the guards—and an indictment of man’s gratuitous inhumanity to man, pointing out that the transition from abused to abuser, tortured to torturer, can be an easy one. Written in 1971 and published outside Iraq in 1972, Cell Block Five—the first Iraqi prison novel—was later made into a feature film in Syria. Drawing the reader subtly into the political section of an Iraqi prison, this compelling story easily transcends cultural boundaries.

In a desperate attempt to save his mother and two sisters from famine and disease, a young man leaves his native village in Sudan and sets out alone to seek work in the city. This is the beginning of Hamza’s long journey. Hunger and destitution lead him ever farther from his home: first from Sudan to Egypt, where the lack of work forces him to join a band of smugglers, and finally from Egypt to Europe—Italy, France, Holland—where he experiences first-hand the harsh world of migrant laborers and the bitter realities of life as an illegal immigrant. Tarek Eltayeb’s first novel offers an uncompromising depiction of poverty in both the developed and the developing world. With its simple yet elegant style, Cities without Palms tells of a tragic human life punctuated by moments of true joy.