The English novelist E.M. Forster and the Greek–Alexandrian poet C.P. Cavafy met when Forster was working for the Red Cross in Alexandria during the First World War. Their subsequent correspondence bears witness to a complex relationship and serves as a fascinating testament to Forster’s relentless determination to promote Cavafy by bringing out an English translation of his work. The letters also chronicle Cavafy’s calculated refusal to comply fully with Forster’s plans. The story they tell involves a number of major twentieth century literary personalities—Arnold Toynbee, T.S. Eliot, T.E. Lawrence, and Leonard Woolf all participated in Forster’s early translation project. Forster ultimately succeeded in launching Cavafy’s reputation in the English-speaking world, setting an important precedent for his present global literary fame. The volume includes all extant letters, the earliest Cavafy translations by George Valassopoulos (incorporating Cavafy’s own authorial emendations), poems by E.M. Forster, archival photographs, and related letters.
The Forster–Cavafy Letters
Friends at a Slight Angle
15 June 2009
25 b/w illus.
For sale worldwide
Dividing the Nile
Egypt’s Economic Nationalists in the Sudan 1918–56
David E. Mills
Egypt’s Economic Nationalists in the Sudan 1918–56David E. Mills
Most scholarship has attributed Sudanese independence in 1956 to British dominance of the Condominium, historical animosity toward Egypt, or the emergence of Sudanese nationalism. Dividing the Nile counters that Egyptian entrepreneurs failed to develop a united economy or shared economic interests, guaranteeing Egypt’s ‘loss’ of the Sudan. It argues that British dominance of the Condominium may have stymied initial Egyptian efforts, but that after the First World War Egypt became increasingly interested in and capable of economic ventures in the Sudan. However, early Egyptian financial assistance and the seemingly successful resolution of Nile waters disputes actually divided the regions, while later concerted efforts to promote commerce and acquire Sudanese lands failed dismally. Egyptian nationalists simply missed opportunities of aligning their economic future with that of their Sudanese brethren, resulting in a divided Nile valley. Dividing the Nile will appeal to historians, social scientists, and international relations theorists, among those interested in Nile valley developments, but its focused economic analysis will also contribute to broader scholarship on nationalism and nationalist theory....read more
27 March 2015
Doria Shafik, Egyptian Feminist
A Woman Apart
A Woman ApartCynthia Nelson
Cynthia Nelson brings to life a bold and gifted Egyptian of the mid-twentieth century who helped define what it means to be a modern Arab woman. Doria Shafik (1908-1975), an Egyptian feminist, poet, publisher, and political activist, participated in one of her country’s most explosive periods of social and political transformation. During the ’40s she burst onto the public stage in Egypt, openly challenging every social, cultural, and legal barrier that she viewed as oppressive to the full equality of women. As the founder of the Daughters of the Nile Union in 1948, she catalyzed a movement that fought for suffrage and set up programs to combat illiteracy, provide economic opportunities for lower-class urban women, and raise the consciousness of middle-class university students. She also founded and edited two prominent women’s journals, wrote books in both French and Arabic, lectured throughout the world, married, and raised two children. For a decade, she ignited the imagination of the press, where she was variously described as the “perfumed leader,” a “danger to the Muslim nation,” a “traitor to the revolution,” and the “only man in Egypt.” Then, in 1957, following her hunger strike in protest against the populist regime of Gamal Abdul Nasser, she was placed under house arrest. Within months her magazines folded, her name was officially banned from the press, and she entered a long period of seclusion that ended with her suicide in 1975. With the cooperation of Shafik’s daughters, who made available her three impressionistic, unpublished, and sometimes contradictory memoirs, Nelson has uncovered Shafik’s story and brings the life and achievements of this remarkable woman to a Western audience....read more
14 b/w illus.
This book is only available for purchase from Egypt
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.
Egypt as a Woman
Nationalism, Gender, and Politics
Nationalism, Gender, and PoliticsBeth Baron
This original and historically rich book examines the influence of gender in shaping the Egyptian nation from the nineteenth century through the revolution of 1919 and into the 1940s. In Egypt as a Woman, Beth Baron divides her narrative into two strands: the first analyzes the gendered language and images of the nation, and the second considers the political activities of women nationalists. She shows that even though women were largely excluded from participation in the state, the visual imagery of nationalism was replete with female figures. Baron juxtaposes the idealization of the family and the feminine in nationalist rhetoric with transformations in elite households and the work of women activists striving for national independence. ‘’With evenhandedness and generosity, Baron shows how vital women were to mobilizing opposition to British authority and modernizing Egypt.’’—Robert L. Tignor, author of Capitalism and Nationalism at the End of Empire ‘’A wonderful contribution to understanding Egyptian national and gender politics between the two world wars.’’—Donald Malcolm Reid, author of Whose Pharaohs? Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I...read more
30 b/w photographs