Tucked away in a rundown quarter, just out of sight of fashionable downtown Cairo, a group of intellectuals gather regularly to smoke hashish in Hakeem’s den. The den is the center of their lives, both a refuge and a stimulus, and at the center of the den is the remarkable man who keeps their hashish bowls topped up—Rowdy Salih. While his former life is a mystery to his loyal clientele of writers, painters, film directors, and even window dressers, each sees himself reflected in Salih; but without his humor, humility, or insight, or his occasional passions fueled by hootch. And when the nation has to face its own demons during the peace initiative of the 1970s, it is Rowdy Salih who speaks for them all. This is a comic novel with a broken heart very like Salih himself, whose warm rough voice calls out long after we have recovered from the novel’s painful conclusion.
The Hashish Waiter
Khairy Shalaby
Translated byAdam Talib
30 October 2015
256 pp.
15X23cm
ISBN 9789774167386
For sale worldwide
12.95
KHAIRY SHALABY, born in Kafr al-Shaykh in Egypt’s Nile Delta in 1938, has written seventy books, including novels, short stories, historical tales, and critical studies. The Lodging House was awarded the Naguib Mahfouz Medal for Literature in 2003. ADAM TALIB is the translator of Mekkawi Said's novel Cairo Swan Song (AUC Press, 2009).
Also available by this author
The Lodging House
Khairy ShalabyTranslated byFarouk Abdel Wahab
A young man’s dreams for a better future as a student in the Teachers’ Institute are shattered after he assaults one of his instructors for discriminating against him. From then on, he begins his descent into the underworld. Penniless, he seeks refuge in Wikalat ‘Atiya, a historic but now completely run-down caravanserai that has become the home of the town’s marginal and underprivileged characters. This award-winning novel takes on epic dimensions as the narrator escorts us on a journey to this underworld, portraying—as he sinks further into its intricate relationships—the many characters that inhabit it. Through a labyrinth of tales, reminiscent of the popular Arab tradition of storytelling, we are introduced to these denizens, whose lives oscillate between the real and the fantastic, the contemporary and the timeless. And while the narrator starts out as a spectator of these characters’ lives, he soon becomes an integral part of the lodging house’s community of rogues.
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