In the twelfth century, Abd al-Latif al-Baghdadi affirmed that the Egyptian baths were “the most beautiful in the East, the most practical, and the best located.” Nine centuries later, forgotten by the country’s restoration campaign, Cairo’s few remaining steam baths are drowning in general indifference. Places of relaxation and ritual, known for their therapeutic virtues, the last public baths are attempting to resist the evolution of tradition and real estate pressure. Curiously, the dilapidated state of the buildings, with their outstanding architecture, is full of charm: the decor is bright, flashy, and oriental, and the mixture of unusual objects creates a unique atmosphere. This book, with its exceptional color photographs and personal narrative, invites you into the intimacy of these bathhouses from another age before their definitive disappearance.
The Last Hammams of Cairo
A Disappearing Bathhouse Culture
Text byMay Telmissany
80 color photographs
For sale worldwide
Creswell Photographs Re-examined
New Perspectives on Islamic Architecture
Edited by Bernard O’Kane 29.95
New Perspectives on Islamic ArchitectureEdited by Bernard O’Kane
The Creswell photographic archive at the American University in Cairo is an invaluable resource of over 12,000 printed images of Islamic architecture, mainly in Cairo, but also including buildings in other important cities such as Córdoba and Baghdad. Creswell’s own photographs constitute the majority of the collection, but he also assembled work by photographers active in the decades before he began his systematic recording in the 1920s. This volume of collected studies seeks to highlight the value of this collection for scholars, who can examine the visual evidence of architecture now destroyed or altered in order to better understand various aspects of these significant buildings. Contributors discuss such issues as epigraphy in domestic and religious architecture, the use of early photographs as guides for modern restoration, and military architecture. Contributors: Tarek Galal Abdel-Hamid, Noha Abou-Khatwa, Conchita Añorve-Tschirgi, Dina Ishak Bakhoum, Nairy Hampikian, May al-Ibrashy, Hani Hamza, Chahinda Karim, Dina Montasser, Bernard O’Kane, Seif El-Rashidi, Ola Seif, Nicholas Warner....read more
125 illus. incl. 25 color
His Lost City and Great Mosque
Tarek Swelim 39.95
His Lost City and Great MosqueTarek Swelim
Ahmad Ibn Tulun (835–84), the son of a Turkic slave in the Abbasid court of Baghdad, became the founder of the first independent state in Egypt since antiquity, and builder of Egypt’s short-lived third capital of the Islamic era, al-Qata’i‘ and its great congregational mosque. After recounting the story of Ibn Tulun and his successors, architectural historian Tarek Swelim presents a topographic survey of al-Qata’i‘, a city lost since its complete destruction in 905. He then provides a detailed architectural analysis of the Mosque of Ibn Tulun, which was spared the destruction and is now the oldest surviving mosque in Egypt and Africa, from the time of its completion until today. Rare archival illustrations and early photographs document the changing appearance and uses of the mosque in modern times, while extraordinary 3D computer renderings take us back in time to recreate its architectural development through its early centuries. Plans, drawings, and maps complement the history, while striking modern color photographs showcase the elegant simplicity of the building’s architecture and decoration. This definitive and generously illustrated book will appeal to scholars and students of Islamic art history, as well as to anyone interested in or inspired by the beauty of early mosque architecture....read more
29 November 2015
120 illus., including color photos, computer drawings, archival prints
Egypt and Nubia / The Holy Land
Limited Collector’s edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe 250.00
Limited Collector’s editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding special three-volume collector’s edition that reproduces in unprecedented print quality all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this limited collector’s edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this unique and exquisitely produced edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Early Persian Painting
Kalila and Dimna Manuscripts of the Late 14th Century
Bernard O’Kane 35.00
Kalila and Dimna Manuscripts of the Late 14th CenturyBernard O’Kane
Kalila wa Dimna (or The Fables of Bidpai) is one of the gems of world culture, having been translated through the centuries everywhere from China to Spain. The stories of Kalila wa Dimna, like the Fables of Aesop or Lafontaine, are subtle and suggestive moral tales—a kind of repository of wisdom and understanding about the human condition. It was the most commonly illustrated medieval Islamic text. This book focuses on the group of seven Persian manuscripts from the second half of the fourteenth century, which contain several of the finest masterpieces of Persian painting. It is a work of enormous erudition and scholarly importance, a huge contribution for art historians and students interested in Persian painting and early Islamic art. In a world now besotted with images, these superb early paintings can give us a glimpse of the power and delight that they must have given their original viewers, and help explain the work’s attractiveness throughout the ages. “These pages will remain forever as a basic tool for all further work on this particular text and as a model for the study of illustrated manuscripts in general”—Oleg Grabar, Institute for Advanced Study, Princeton...read more
50 b/w, 91 color illus.