The Northern Cemetery of Cairo deals with the beginnings, growth and decline of one of the most important cemeteries of Cairo, which is quintessentially a product of Mamluk patronage. The Mamluks, unlike the preceding dynasties ruling Egypt, failed to develop a new significant urban settlement in their domains. Instead they primarily extended and consolidated some of the existing cities. The establishment of the Northern Cemetery reflects a shift in the Mamluks’ policy. The area was used for military training and as a parade ground, reflecting the military spirit of the formative years of the young state. Urbanization of the area started during the third reign of al-Nasir Muhammad and proceeded slowly during the ensuing period of internal struggle after his death. The Burgi period witnessed royal patronage of the area for the first time; the economic, military, and social decadence of the later Burgi sultanate did not prevent the steady growth and the artistic excellence that characterized the period here, as it did elsewhere in Cairo. The Northern Cemetery was a separate entity isolated on all sides; to the south the steep descent of Bab al-Wazir and the Citadel complex separated it from the Qarafa; to the west the Barqiya mounds and the Cairo wall separated it from the city proper; to the east al-Gabal al-Ahmar fixed its physical limit; its northern boundaries, however, are not clearly defined. The area is perhaps the nearest attempt of the Mamluks to establishing an urban settlement, dedicated not to the living but to the deceased.
The Northern Cemetery of Cairo
34 b/w illus., 4 maps
For sale only in the Middle East
History and Cultural Identity: Revised and Updated Edition
Viola Shafik 19.95
History and Cultural Identity: Revised and Updated EditionViola Shafik
Since it was first published in 1998, Viola Shafik’s Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history—economic, ideological, and aesthetic—with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry’s development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of “cultural repackaging.” Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades.
9 November 2016
50 b/w illus.
Egypt Visual Sourcebook
For Artists, Architects, and Designers
Jim Hewitt 35.00
For Artists, Architects, and DesignersJim Hewitt
This unique visual reference guide will be an invaluable resource to professional designers—from architects to illustrators, production designers, art directors, decorators, film concept artists, sculptors, and painters. It utilizes color photographs to illustrate a wide range of locations and styles of architecture throughout Egypt, particularly highlighting universal architectural elements that may be incorporated into a variety of designs and styles including arches, doorways, windows, balconies, wall finishes, and more. Photographic plates of modern and ancient Egypt, showing markets, buildings, temples, tombs, and daily life are cross-referenced with enlarged details and grouped for functional comparisons to cater to the various approaches a designer may take from conception to completion. With some 1,000 color illustrations, thorough referencing, and detailed observation, this book will serve a very specific need while also appealing to a wider audience as a visual celebration of many aspects of Egypt, familiar and unfamiliar....read more
Hardbound + CD392 pp.
1000 color illus.
Hassan Fathy and Continuity in Islamic Arts and Architecture
The Birth of a New Modern
Ahmad Hamid 29.95
The Birth of a New ModernAhmad Hamid
Hassan Fathy, the Egyptian architect known for his recognition of the potential of vernacular forms as a vital force in contemporary architectural design, sought to integrate the traditions of Islamic art with his modern visions for living. Guided by Fathy’s principles, Ahmad Hamid, an architect who collaborated with Hassan Fathy in the Institute for Appropriate Technology, identifies questions about the nature of Islamic art and its building culture, as well as the origins of modern architecture. This richly illustrated book provides new insights into Hassan Fathy’s profuse, pathbreaking design documents and built projects, while exploring the socioeconomic, environmental, psychological, and esthetic components of Fathy’s work in the light of a quest for a new universal modernity for the twenty-first century....read more
100 b/w photographs and drawings
Folk Art of the Great Pilgrimage
Ann Parker Avon Neal 29.95
Folk Art of the Great PilgrimageAnn Parker
Since the seventh century, the Hajj, or Great Pilgrimage to Mecca, has been a lifelong goal of devout Muslims throughout the world. Egyptian pilgrims traditionally celebrate their sacred journey by commissioning a local artist to depict their religious odyssey on the walls of their homes. Hajj Paintings is the first visual record of the richness and variety of this naive art form. Photographer Ann Parker and writer Avon Neal spent a decade exploring towns, villages, and isolated farm communities along the Nile, across the Delta, down the Red Sea coast, and into Sinai. On the walls of buildings ranging from alabaster factories to mud-brick farmhouses they found brilliant murals illuminated by the desert sun, portraying beloved icons of the pilgrims’ faith and scenes from the Qur’an. Their nearly 150 color photographs and accompanying descriptions record the radiant palette of the mostly self-taught artists....read more
130 color illus.