The Northern Cemetery of Cairo deals with the beginnings, growth and decline of one of the most important cemeteries of Cairo, which is quintessentially a product of Mamluk patronage. The Mamluks, unlike the preceding dynasties ruling Egypt, failed to develop a new significant urban settlement in their domains. Instead they primarily extended and consolidated some of the existing cities. The establishment of the Northern Cemetery reflects a shift in the Mamluks’ policy. The area was used for military training and as a parade ground, reflecting the military spirit of the formative years of the young state. Urbanization of the area started during the third reign of al-Nasir Muhammad and proceeded slowly during the ensuing period of internal struggle after his death. The Burgi period witnessed royal patronage of the area for the first time; the economic, military, and social decadence of the later Burgi sultanate did not prevent the steady growth and the artistic excellence that characterized the period here, as it did elsewhere in Cairo. The Northern Cemetery was a separate entity isolated on all sides; to the south the steep descent of Bab al-Wazir and the Citadel complex separated it from the Qarafa; to the west the Barqiya mounds and the Cairo wall separated it from the city proper; to the east al-Gabal al-Ahmar fixed its physical limit; its northern boundaries, however, are not clearly defined. The area is perhaps the nearest attempt of the Mamluks to establishing an urban settlement, dedicated not to the living but to the deceased.
The Northern Cemetery of Cairo
34 b/w illus., 4 maps
For sale only in the Middle East
Folk Art of the Great Pilgrimage
Ann Parker Avon Neal
Folk Art of the Great PilgrimageAnn Parker
Since the seventh century, the Hajj, or Great Pilgrimage to Mecca, has been a lifelong goal of devout Muslims throughout the world. Egyptian pilgrims traditionally celebrate their sacred journey by commissioning a local artist to depict their religious odyssey on the walls of their homes. Hajj Paintings is the first visual record of the richness and variety of this naive art form. Photographer Ann Parker and writer Avon Neal spent a decade exploring towns, villages, and isolated farm communities along the Nile, across the Delta, down the Red Sea coast, and into Sinai. On the walls of buildings ranging from alabaster factories to mud-brick farmhouses they found brilliant murals illuminated by the desert sun, portraying beloved icons of the pilgrims’ faith and scenes from the Qur’an. Their nearly 150 color photographs and accompanying descriptions record the radiant palette of the mostly self-taught artists....read more
1 March 2009
130 color illus.
Creating Medieval Cairo
Empire, Religion, and Architectural Preservation in Nineteenth-Century Egypt
Empire, Religion, and Architectural Preservation in Nineteenth-Century EgyptPaula Sanders
This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo’s architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comité) within the history of religious life in nineteenth-century Cairo. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo....read more
7 November 2007
36 b/w photographs
Egypt and Nubia / The Holy Land
Deluxe Gift edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe
Deluxe Gift editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding new two-volume edition that reproduces for the first time since the original editions of the 1840s all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this new edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this very special boxed edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Hassan Fathy and Continuity in Islamic Arts and Architecture
The Birth of a New Modern
The Birth of a New ModernAhmad Hamid
Hassan Fathy, the Egyptian architect known for his recognition of the potential of vernacular forms as a vital force in contemporary architectural design, sought to integrate the traditions of Islamic art with his modern visions for living. Guided by Fathy’s principles, Ahmad Hamid, an architect who collaborated with Hassan Fathy in the Institute for Appropriate Technology, identifies questions about the nature of Islamic art and its building culture, as well as the origins of modern architecture. This richly illustrated book provides new insights into Hassan Fathy’s profuse, pathbreaking design documents and built projects, while exploring the socioeconomic, environmental, psychological, and esthetic components of Fathy’s work in the light of a quest for a new universal modernity for the twenty-first century....read more
15 December 2010
100 b/w photographs and drawings