The Northern Cemetery of Cairo deals with the beginnings, growth and decline of one of the most important cemeteries of Cairo, which is quintessentially a product of Mamluk patronage. The Mamluks, unlike the preceding dynasties ruling Egypt, failed to develop a new significant urban settlement in their domains. Instead they primarily extended and consolidated some of the existing cities. The establishment of the Northern Cemetery reflects a shift in the Mamluks’ policy. The area was used for military training and as a parade ground, reflecting the military spirit of the formative years of the young state. Urbanization of the area started during the third reign of al-Nasir Muhammad and proceeded slowly during the ensuing period of internal struggle after his death. The Burgi period witnessed royal patronage of the area for the first time; the economic, military, and social decadence of the later Burgi sultanate did not prevent the steady growth and the artistic excellence that characterized the period here, as it did elsewhere in Cairo. The Northern Cemetery was a separate entity isolated on all sides; to the south the steep descent of Bab al-Wazir and the Citadel complex separated it from the Qarafa; to the west the Barqiya mounds and the Cairo wall separated it from the city proper; to the east al-Gabal al-Ahmar fixed its physical limit; its northern boundaries, however, are not clearly defined. The area is perhaps the nearest attempt of the Mamluks to establishing an urban settlement, dedicated not to the living but to the deceased.
The Northern Cemetery of Cairo
34 b/w illus., 4 maps
For sale only in the Middle East
Early Persian Painting
Kalila and Dimna Manuscripts of the Late 14th Century
Kalila and Dimna Manuscripts of the Late 14th CenturyBernard O’Kane
Kalila wa Dimna (or The Fables of Bidpai) is one of the gems of world culture, having been translated through the centuries everywhere from China to Spain. The stories of Kalila wa Dimna, like the Fables of Aesop or Lafontaine, are subtle and suggestive moral tales—a kind of repository of wisdom and understanding about the human condition. It was the most commonly illustrated medieval Islamic text. This book focuses on the group of seven Persian manuscripts from the second half of the fourteenth century, which contain several of the finest masterpieces of Persian painting. It is a work of enormous erudition and scholarly importance, a huge contribution for art historians and students interested in Persian painting and early Islamic art. In a world now besotted with images, these superb early paintings can give us a glimpse of the power and delight that they must have given their original viewers, and help explain the work’s attractiveness throughout the ages. “These pages will remain forever as a basic tool for all further work on this particular text and as a model for the study of illustrated manuscripts in general”—Oleg Grabar, Institute for Advanced Study, Princeton...read more
50 b/w, 91 color illus.
The History and Religious Heritage of Old Cairo
Its Fortress, Churches, Synagogue, and Mosque
Edited by Carolyn Ludwig Morris Jackson Photographs by Sherif Sonbol
Its Fortress, Churches, Synagogue, and MosqueEdited by Carolyn Ludwig
Photographs by Sherif Sonbol
Just to the south of modern Cairo stands the historic enclave known as Old Cairo, which grew up in and around the Roman fortress of Babylon, and which today hosts a unique collection of monuments that attest to the shared cultural heritage of ancient Egyptians, Christians, Jews, and Muslims. In this lavishly illustrated celebration of a very special place, renowned photographer Sherif Sonbol’s remarkable images of the fortress, churches, synagogue, and mosque illuminate the living fabric of the ancient and medieval stones, while the text describes the history of Old Cairo from the time of the ancient Egyptians and the Romans to the founding of the first Muslim city of al-Fustat, focusing on the Jewish history of the area (exploring the famous Genizah documents found in the Ben Ezra Synagogue that tell so much about everyday life in medieval Egypt), the early Coptic Christian churches, some of the oldest in the world, and the arrival of the Muslims in the seventh century, their establishment of al-Fustat on the edge of Old Cairo, and the building of the oldest mosque in Africa....read more
29 April 2013
370 color illus.
Egypt Visual Sourcebook
For Artists, Architects, and Designers
For Artists, Architects, and DesignersJim Hewitt
This unique visual reference guide will be an invaluable resource to professional designers—from architects to illustrators, production designers, art directors, decorators, film concept artists, sculptors, and painters. It utilizes color photographs to illustrate a wide range of locations and styles of architecture throughout Egypt, particularly highlighting universal architectural elements that may be incorporated into a variety of designs and styles including arches, doorways, windows, balconies, wall finishes, and more. Photographic plates of modern and ancient Egypt, showing markets, buildings, temples, tombs, and daily life are cross-referenced with enlarged details and grouped for functional comparisons to cater to the various approaches a designer may take from conception to completion. With some 1,000 color illustrations, thorough referencing, and detailed observation, this book will serve a very specific need while also appealing to a wider audience as a visual celebration of many aspects of Egypt, familiar and unfamiliar....read more
1 March 2011
Hardbound + CD392 pp.
1000 color illus.
Gardens of Sand
Nineteenth-Century Photographs of Egypt, Arabia, Turkey, and the Levant
Issam Nassar Patricia Almárcegui Clark Worswick
Nineteenth-Century Photographs of Egypt, Arabia, Turkey, and the LevantIssam Nassar
Between 1859 and 1905, a number of photographers working in Damascus, Mecca, Cairo, Istanbul, and northern Africa captured their landscapes, towns, and monuments, bequeathing an unprecedented visual documentation of the Middle East. Gardens of Sand brings together 100 original photographs, masterpieces mostly hitherto unpublished, taken between 1859 and 1905. The archive illustrates the themes of the expatriate photographers of the second half of the nineteenth century—study portraits, royal commissions, landscapes, inventories of significant monuments and buildings, orientalist scenes, steeped in classical European imagination—but also explores the confrontation between western imagination and the visual reality of the Middle East, a meeting that gave rise to a local photography, gradually moving further away from western stereotypes, and includes a critical analysis of orientalism and of photography as a means of conveying a reality of prejudices....read more