The Northern Cemetery of Cairo deals with the beginnings, growth and decline of one of the most important cemeteries of Cairo, which is quintessentially a product of Mamluk patronage. The Mamluks, unlike the preceding dynasties ruling Egypt, failed to develop a new significant urban settlement in their domains. Instead they primarily extended and consolidated some of the existing cities. The establishment of the Northern Cemetery reflects a shift in the Mamluks’ policy. The area was used for military training and as a parade ground, reflecting the military spirit of the formative years of the young state. Urbanization of the area started during the third reign of al-Nasir Muhammad and proceeded slowly during the ensuing period of internal struggle after his death. The Burgi period witnessed royal patronage of the area for the first time; the economic, military, and social decadence of the later Burgi sultanate did not prevent the steady growth and the artistic excellence that characterized the period here, as it did elsewhere in Cairo. The Northern Cemetery was a separate entity isolated on all sides; to the south the steep descent of Bab al-Wazir and the Citadel complex separated it from the Qarafa; to the west the Barqiya mounds and the Cairo wall separated it from the city proper; to the east al-Gabal al-Ahmar fixed its physical limit; its northern boundaries, however, are not clearly defined. The area is perhaps the nearest attempt of the Mamluks to establishing an urban settlement, dedicated not to the living but to the deceased.
The Northern Cemetery of Cairo
34 b/w illus., 4 maps
For sale only in the Middle East
Film in the Middle East and North Africa
Edited by Josef Gugler
Creative DissidenceEdited by Josef Gugler
Nine essays presenting the major national cinemas, from Iran to Morocco, are complemented by in-depth discussions of eighteen films that have been selected for both their excellence and their critical engagement with pressing current issues. The introduction provides a comprehensive overview of filmmaking throughout the region, including important films produced outside the national cinemas. The long history of Iranian cinema, its international renown, and the politics of directors confronting the state, earns it a special place in this volume. The other major emphasis is on the Israel/Palestine conflict, featuring films by Palestinian directors, Israelis, and an Egyptian working in Syria. Twenty contributors, from film and literary scholars to film directors and a novelist, bring to this unique volume differences in disciplinary orientation and variation in the perspectives that inform their writing. Together they offer an illuminating range of approaches to the cinemas of the region....read more
55 b/w illus.
Folk Art of the Great Pilgrimage
Ann Parker Avon Neal
Folk Art of the Great PilgrimageAnn Parker
Since the seventh century, the Hajj, or Great Pilgrimage to Mecca, has been a lifelong goal of devout Muslims throughout the world. Egyptian pilgrims traditionally celebrate their sacred journey by commissioning a local artist to depict their religious odyssey on the walls of their homes. Hajj Paintings is the first visual record of the richness and variety of this naive art form. Photographer Ann Parker and writer Avon Neal spent a decade exploring towns, villages, and isolated farm communities along the Nile, across the Delta, down the Red Sea coast, and into Sinai. On the walls of buildings ranging from alabaster factories to mud-brick farmhouses they found brilliant murals illuminated by the desert sun, portraying beloved icons of the pilgrims’ faith and scenes from the Qur’an. Their nearly 150 color photographs and accompanying descriptions record the radiant palette of the mostly self-taught artists....read more
1 March 2009
130 color illus.
Egypt and Nubia / The Holy Land
Limited Collector’s edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe
Limited Collector’s editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding special three-volume collector’s edition that reproduces in unprecedented print quality all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this limited collector’s edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this unique and exquisitely produced edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Rebirth of the City of the Sun
Agnieszka Dobrowolska Jaroslaw Dobrowolski
Rebirth of the City of the SunAgnieszka Dobrowolska
When in the early years of the twentieth century the Belgian businessman Edouard Empain began to turn his dream of building an entirely new satellite city in the desert outside Cairo into a reality, he followed the then novel urban-planning concept of the “garden city.” But in naming his creation, he turned back to one of the most ancient sites in Egypt, the solar temple of Heliopolis, the biblical On, and in its architecture he sought inspiration in the heritage of Cairo’s Islamic tradition. When the city, known as “New Egypt” in Arabic, was completed, a half-hour tram ride through the desert was needed to reach it. Today, Heliopolis has been enveloped within the huge and ever-growing metropolis of Cairo. However, despite rapid development, overpopulation, and increasing traffic, Heliopolis has retained much of its original character and charm, and the captivating atmosphere of Egypt’s Belle Epoque is still tangible. Its houses, mosques, and churches, designed to imitate various styles of the past, have become historic buildings in their own right. This fully illustrated book introduces the reader to the history and development of Heliopolis through its architecture and its inhabitants past and present....read more
1 November 2006
150 illus. incl. 100 in color