This book examines the historic process traditionally referred to as the fall of Rome and rise of Islam from the perspective of the Red Sea, a strategic waterway linking the Mediterranean to the Indian Ocean and a distinct region incorporating Africa with Arabia. The transition from Byzantium to the Caliphate is contextualized in the contestation of regional hegemony between Aksumite Ethiopia, Sasanian Iran, and the Islamic Hijaz. The economic stimulus associated with Arab colonization is then considered, including the foundation of ports and roads linking new metropolises and facilitating commercial expansion, particularly gold mining and the slave trade. Finally, the economic inheritance of the Fatimids and the formation of the commercial networks glimpsed in the Cairo Geniza is contextualized in the diffusion of the Abbasid ‘bourgeois revolution’ and resumption of the ‘India trade’ under the Tulunids and Ziyadids. Timothy Power’s careful analysis reveals the complex cultural and economic factors that provided a fertile ground for the origins of the Islamic civilization to take root in the Red Sea region, offering a new perspective on a vital period of history.
The Red Sea from Byzantium to the Caliphate
30 December 2012
For sale worldwide
Contesting Antiquity in Egypt
Archaeologies, Museums, and the Struggle for Identities from World War I to Nasser
Donald Malcolm Reid
Archaeologies, Museums, and the Struggle for Identities from World War I to NasserDonald Malcolm Reid
The sensational discovery in 1922 of Tutankhamun’s tomb, close on the heels of Britain’s declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of ‘pharaonism’—popular interest in ancient Egypt—as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser’s revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies—Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciplines, as well as the closely related history of tourism, together in a single engaging framework.
Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt’s long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism.
Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader.
To read an excerpt, click here.
For the Table of Contents, click here....read more
3 September 2019
92 integrated b/w illus., 1 map, 7 tables
Artisan Entrepreneurs in Cairo and Early Modern Capitalism 1600–1800
While historians have mined archives and court documents to create a picture of the commercial activities, networks, and infrastructure of merchants in Egypt prior to its incorporation into the European capitalist economy, few have documented a similar picture of the artisans and craftspeople. Artisans outnumbered merchants and their economic weight was considerable, yet details about their lives, the way they carried out their work, and their role or position in the economy is largely unknown. Nelly Hanna seeks to redress this gap by locating and exploring the role of artisans in the historical process. These artisans developed a variety of capitalist practices, both as individuals and collectively in their guilds. Hanna details how they defied the constraints of the guilds and actively engaged in the markets of Europe, demonstrating how Egyptian artisan production was able to compete and survive in a landscape of growing European trade. Deftly synthesizing a wide range of economic and historical theory, Hanna reinvigorates the current scholarship on early Ottoman history and provides a persuasive challenge to the largely shallow perception of artisans’ role in Egypt’s economy....read more
Its Foundation and Early Urban Development
Wladyslaw B. Kubiak
Its Foundation and Early Urban DevelopmentWladyslaw B. Kubiak
Al-Fustat, the original Arab capital of Egypt, was founded in A.D. 642 (A.H.21) around the Roman–Byzantine fortified town of Babylon in what is now Old Cairo. Early records and modern archaeological excavations of the site of al-Fustat have been of great interest to scholars investigating the life and development of medieval Arab cities as well as to those studying the organization and growth of early Arab Egypt. In this comprehensive study, first published by the AUC Press in 1987, Dr. Kubiak synthesizes the evidence from both medieval documentary and narrative sources and twentieth century archaeology to present a detailed history of al-Fustat. In it he traces and examines the geography of the site; the pre-Islamic settlements; the foundation and early development of the city and its demographic and territorial evolution; and the topography of the city and its architecture. Click here to download the free PDF....read more
Free e-book186 pp.
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.