This book examines the historic process traditionally referred to as the fall of Rome and rise of Islam from the perspective of the Red Sea, a strategic waterway linking the Mediterranean to the Indian Ocean and a distinct region incorporating Africa with Arabia. The transition from Byzantium to the Caliphate is contextualized in the contestation of regional hegemony between Aksumite Ethiopia, Sasanian Iran, and the Islamic Hijaz. The economic stimulus associated with Arab colonization is then considered, including the foundation of ports and roads linking new metropolises and facilitating commercial expansion, particularly gold mining and the slave trade. Finally, the economic inheritance of the Fatimids and the formation of the commercial networks glimpsed in the Cairo Geniza is contextualized in the diffusion of the Abbasid ‘bourgeois revolution’ and resumption of the ‘India trade’ under the Tulunids and Ziyadids. Timothy Power’s careful analysis reveals the complex cultural and economic factors that provided a fertile ground for the origins of the Islamic civilization to take root in the Red Sea region, offering a new perspective on a vital period of history.
The Red Sea from Byzantium to the Caliphate
30 December 2012
For sale worldwide
The City Victorious
The City VictoriousMax Rodenbeck
After 5,000 years of continuous habitation, Cairo remains the greatest metropolis in its quarter of the globe. The seat of pharaohs and sultans, the prize of conquerors from Alexander to Napoleon, the city has never stopped reinventing itself. ‘The Victorious’ is what the Arabs called Cairo, and the indomitable spirit of the place still merits the name. Max Rodenbeck’s richly textured biography combines a sweeping timescale with a keen eye for telling detail. It traces the life of Cairo from birth—the ancient Egyptians believed Creation itself took place there—through the heights of medieval splendor, and on to the present day. Modern Cairo is a place of stark contrasts. Skyscrapers abut ancient tombs and genteel colonial mansions. Pulled between the cultural poles of Paris and Mecca, the city’s population struggles under a double load as they cope with the burden of an incomparably rich past as well as the challenges of the future. Cairo: The City Victorious is a cultural excavation of one of the world’s great cities. Fusing the excitement of travel with the stimulation of history, it is an epic, resonant work....read more
Egypt as a Woman
Nationalism, Gender, and Politics
Nationalism, Gender, and PoliticsBeth Baron
This original and historically rich book examines the influence of gender in shaping the Egyptian nation from the nineteenth century through the revolution of 1919 and into the 1940s. In Egypt as a Woman, Beth Baron divides her narrative into two strands: the first analyzes the gendered language and images of the nation, and the second considers the political activities of women nationalists. She shows that even though women were largely excluded from participation in the state, the visual imagery of nationalism was replete with female figures. Baron juxtaposes the idealization of the family and the feminine in nationalist rhetoric with transformations in elite households and the work of women activists striving for national independence. ‘’With evenhandedness and generosity, Baron shows how vital women were to mobilizing opposition to British authority and modernizing Egypt.’’—Robert L. Tignor, author of Capitalism and Nationalism at the End of Empire ‘’A wonderful contribution to understanding Egyptian national and gender politics between the two world wars.’’—Donald Malcolm Reid, author of Whose Pharaohs? Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I...read more
30 b/w photographs
City of Memory
City of MemoryMichael Haag
In the decades before Nasser’s seizure of power and the Suez crisis, Alexandria was a magnet for the wealthy, the gifted, and the glamorous from around the world. The whole city looked seaward, its port one of the busiest in the Mediterranean, its spirit ecumenical, its life luxuriant and sensual. Alexandria was barely an Egyptian city, and the Egyptians who live there now inhabit the gently crumbling remains of a foreign world, whose palatial villas, Venetian apartments, art-nouveau cafes, Moorish hotels, and cinemas conceived in thirties deco, are haunted by a departed cast. “I lived a great, extravagant, and colorful life in wartime Alexandria,” recalled Lawrence Durrell, whose Alexandria Quartet is one of the greatest protraits of a city in modern literature. Michael Haag, who has lived in Alexandria, and has known Durrell and others who lived there during its cosmopolitan heyday, has retraced their footsteps to present an absorbing account of the places and the people of this most remarkable of cities. ‘’Michael Haag mixes memory and biography, politics and cultural studies in clear and seamless prose.’’—The New York Review of Books...read more
80 b/w illus.
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.