The Nile today plays a crucial role in the economics, politics and cultural life of ten countries and their more than 300 million inhabitants. No other international river basin has a longer, more complex and eventful history than the Nile. In telling the detailed story of the water politics of the Nile valley in the 19th and 20th centuries, social scien-tist Terje Tvedt recounts in details the political history of the Nile during its most revolutionary period. From the construction of the Aswan Dam to Britain’s role in Ethiopian, Sudanese and Egyptian water politics, this thoroughly-researched history casts a fresh eye on the turbulent politics of this era. The colonial period saw sweeping changes in how politicians and scientists conceptualized and made use of water resources. In these pages are major political figures such as Churchill, Mussolini, Eisenhower, Eden, Nasser and Haile Selassie—indicating how much was at stake in the partition of the Nile’s resources. While Tvedt ends his narrative with the Nasser period, he makes clear that the issues involved—the political ecology of a major transnational river basin like the Nile—are still very much in play today.
The River Nile in the Age of the British
Political Ecology and the Quest for Economic Power
10 b/w photographs
For sale only in the Middle East
A Muslim Manual of War
being Tafrij al-kurub fi tadbir al-hurub by ‘Umar ibn Ibrahim al-Awsi al-Ansari
Edited and translated by George T. Scanlon Foreword by Carole Hillenbrand
being Tafrij al-kurub fi tadbir al-hurub by ‘Umar ibn Ibrahim al-Awsi al-AnsariEdited and translated by George T. Scanlon
Foreword byCarole Hillenbrand
One of the first three books published by the AUC Press after its founding in 1960 was A Muslim Manual of War, an annotated editing and translation of a hitherto little-known fifteenth-century Arabic manuscript on the art of war, prepared by George Scanlon, then embarking on his career to become one of the most respected scholars in the field of Islamic art, architecture, archaeology, and history. Now, in celebration of 50 years of the AUC Press, and in honor of Professor Scanlon’s recent retirement after an illustrious career, most recently as professor of Islamic art and architecture in the Department of Arab and Islamic Civilizations at the American University in Cairo, the AUC Press is proud to make available once again this long out-of-print book, as a freely accessible scanned facsimile with a new Introduction by the author and a Foreword by eminent scholar Carole Hillenbrand, a former student of Professor Scanlon. Click here to download the free PDF....read more
Free e-book246 pp.
A History of Egypt
From Earliest Times to the Present
From Earliest Times to the PresentJason Thompson
This cohesive account of Egypt’s millennia-long past offers readers a sure guide through the sometimes labyrinthine corridors of Egypt’s past, from the mysterious predynastic kingdoms to the nation-state of the twenty-first century. The author addresses central scholarly issues such as how Egyptian history can be treated as a whole and how the west has shaped prevailing images of it, both through direct contact and through the lens of western scholarship. Drawing on current historical scholarship as well as his own research, Jason Thompson has written a remarkable work of synthesis and concision, offering students, travelers, and general readers alike an engaging one-volume narrative of the extraordinarily long course of human history by the Nile. This updated paperback edition contains new material on the 25 January Revolution and the fall of the Mubarak regime....read more
80 b/w illus.
Caliph of Cairo
Al-Hakim bi-Amr Allah, 996–1021
Paul E. Walker
Al-Hakim bi-Amr Allah, 996–1021Paul E. Walker
One night in the year 411/1021, the powerful ruler of the Fatimid empire, al-Hakim bi-Amr Allah, rode out of the southern gates of Cairo and was never seen again. Was the caliph murdered, or could he have decided to abandon his royal life, wandering off to live alone and anonymous? Whatever the truth, the fact was that al-Hakim had literally vanished into the desert. Yet al-Hakim, though shrouded in mystery, has never been forgotten. To the Druze, he was (and is) God, and his disappearance merely indicated his reversion to non-human form. For Ismailis, al-Hakim was the sixteenth imam, descended from the Prophet, and infallible. Jews and Christians, by contrast, long remembered him as their persecutor, who ordered the destruction of many of their synagogues and churches. Using all the tools of modern scholarship, Paul Walker offers the most balanced and engaging biography yet to be published of this endlessly fascinating individual. To some, al-Hakim was God incarnate, to others an infallible imam, to still others he was a capricious tyrant. This book examines myth and fact, document and opinion, to present the most complete and detailed history yet written of the life and times of one of the medieval Islamic world’s most controversial figures....read more
15 December 2012
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.