Trying to evade intelligence agencies out to assassinate him, the Cerebellum, an Egyptian scientist with a past association with the Iraqi nuclear program, rents a room on the roof of a brothel in a Cairo slum. His interaction with the other residents is limited; instead he spends most of his time in the virtual world, where he has a love affair with candygirl, a gorgeous avatar. On the other side of the planet, an ex-NSA agent has joined a secret organization whose mission is to assassinate Iraqi scientists. He does not allow his doubts about the legality—or the ethics—of his mission to interfere with his work. He chases his victim relentlessly, but when his top-of-the-line equipment fails to locate the Cerebellum in Cairo’s slums, he takes the chase to the virtual world.

Clamor of the Lake begins with the appearance of an old fisherman of unknown origin sailing a black boat. Taciturn and enigmatic, he takes on a woman and her twin boys. While he gives away nothing about his past, his undemanding companionship prompts the woman to narrate her turbulent life. Meanwhile, in a nearby village by the lake, Gomaa and his wife have found respite from the dreariness of their existence in the fantastic objects the sea churns up during gales—a sword, alluring panties, a talisman. But when the waves cast up a chest that speaks in a language no one can comprehend, Gomaa is haunted by its voice. As the tumult of the lake drives a wedge between the couple, it turns two neighbors into close allies: Karawia, a café proprietor, and Afifi, a grocer. Eventually, they too will be haunted by the siren song of the lake. In Mohamed El-Bisatie’s lyrical novel, the stories of these various figures converge on the mercurial presence of the lake, which in the end proves the narrative’s true hero. An accomplished experiment in the poetics of space, Clamor of the Lake won the 1995 Cairo International Book Fair Award for Best Novel of the Year.