Many traditional crafts practiced in contemporary Egypt can be traced back hundreds, if not thousands, of years. Scenes inscribed on the walls of ancient temples and tombs depict the earliest Egyptians making pottery and papyrus and working with stone, wood, and other materials. The eleven chapters of this volume explore these and other crafts that continue to flourish in Egypt. From copper and glass works to jewelry, woodwork, and hand-woven carpets and fabric, each chapter offers an in-depth look at one material or craft and the artisans who keep its traditions alive. The authors, drawing on historical sources and documentary research, sketch the evolution of each craft, looking into its origins, the development of tools and methods used in the craft, and the diverse influences that have shaped the form and function of craft items produced today, ranging widely through the pharaonic, Coptic, Islamic, and modern periods. This historical examination is complemented by extensive field research and interviews with craftsmen and women, which serve to set these crafts into a living cultural context and offer a window into the modern craft economy, the lives of craftspeople, and the local communities and traditions they express and sustain. The volume is amply illustrated with vivid photographs of contemporary craft items and artisans at work, from the coastal town of Damietta to the far-flung deserts and the ancient alleyways of Cairo. It is a narrative and visual tour that provides valuable insight into contemporary Egypt as seen through its material culture and the legions of unsung artists who nourish and enrich it.
The Traditional Crafts of Egypt
Translated byNabil Shawkat
1 October 2016
248 color illus.
For sale worldwide
Egypt and Nubia / The Holy Land
Deluxe Gift edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe
Deluxe Gift editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding new two-volume edition that reproduces for the first time since the original editions of the 1840s all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this new edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this very special boxed edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Creating Medieval Cairo
Empire, Religion, and Architectural Preservation in Nineteenth-Century Egypt
Empire, Religion, and Architectural Preservation in Nineteenth-Century EgyptPaula Sanders
This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo’s architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comité) within the history of religious life in nineteenth-century Cairo. Offering fresh perspectives and keen historical analysis, this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo....read more
7 November 2007
36 b/w photographs
Cairo of the Mamluks
A History of the Architecture and Its Culture
A History of the Architecture and Its CultureDoris Behrens-Abouseif
During two and a half centuries of rule by Mamluk sultans, Cairo acquired some of its most impressive medieval architecture, including the historical monuments that today define the city’s architectural heritage. In this comprehensive work of analysis and description, Islamic art historian Doris Behrens-Abouseif highlights the most important factors in the evolution of Mamluk urban architecture, along with the social and political reasons for their patronage as builders of mosques, schools, hospitals, and mausolea. Copiously illustrated with color photographs and architectural plans, Cairo of the Mamluks highlights sixty of the most important Mamluk buildings in Cairo, in chronological order, from the mausoleum built by Shagar al-Durr, in honor of her late husband, the last Ayyubid ruler, to the magnificent madrasa of Sultan Hasan and the funerary complex of al-Ghuri, the last powerful Mamluk sultan. Long a scholar of Cairo’s historic architecture, Doris Behrens-Abouseif draws on Arabic chronicles as well as the latest in contemporary scholarship to offer a remarkably complete history of Cairo’s justly-famous monuments....read more
258 color illus., 63 line drawings and maps
Architecture for the Poor
An Experiment in Rural Egypt
An Experiment in Rural EgyptHassan Fathy
In this now classic work, Hassan Fathy, Egypt’s greatest twentieth-century architect, describes in detail his plan for building the village of New Gourna on the west bank of the Nile at Luxor, employing both the traditional building material, mud brick, and such traditional Egyptian architectural features as enclosed courtyards and domed and vaulted roofing. Fathy worked closely with the people to tailor his designs to their needs; he taught them how to work with the mud bricks, supervised the erection of the buildings, and encouraged the revival of ancient techniques, such as the use of claustra (mud-brick latticework) to adorn the buildings. Although bureaucratic red tape and other problems prevented the completion of New Gourna, Fathy’s ideas have since commanded widespread attention both inside and outside Egypt, and Architecture for the Poor remains a testament to his vision as an architect of conscience. “Fathy demonstrates very powerfully that it is possible to build for the poor … cheaply and humanly by the use of earth for building and by teaching people to build for themselves. There is no other book quite like this.” —Choice...read more
132 b/w illus.