The Treasures of Coptic Art Reviews

Christianity and monasticism have flourished along the Nile Valley in the Aswan region of Upper Egypt and in what was once Nubia, from as early as the fourth century until the present day. The contributors to this volume, international specialists in Coptology from around the world, examine various aspects of Coptic civilization in Aswan and Nubia over the past centuries. The complexity of Christian identity in Nubia, as distinct from Egypt, is examined in the context of church ritual and architecture. Many of the studies explore Coptic material culture: inscriptions, art, architecture, and archaeology; and language and literature. The archaeological and artistic heritage of monastic sites in Edfu, Aswan, Makuria, and Kom Ombo are highlighted, attesting to their important legacies in the region.

Christianity and monasticism have long flourished along the Nile in Middle Egypt, the region stretching from al-Bahnasa (Oxyrhynchus) to Dayr al-Ganadla. The contributors to this volume, international specialists in Coptology from around the world, examine various aspects of Coptic civilization in Middle Egypt over the past two millennia. The studies explore Coptic art and archaeology, architecture, language, and literature. The artistic heritage of monastic sites in the region is highlighted, attesting to their important legacies.

Christianity began in the large and fertile Fayoum oasis of Egypt’s Western Desert as early as the third century, and its presence has endured to the present day. This volume, which constitutes a tribute to the scholarly work of the father of modern Coptology, Martin Krause, contains contributions on various aspects of Coptic civilization in Egypt’s largest oasis over the past eighteen hundred years. The contributors are all international specialists in Coptology, from Australia, the Czech Republic, Egypt, France, Germany, the Netherlands, Poland, Russia, and the United States. A number of the studies included in this volume deal with recent archaeological discoveries at Deir al-Banat, the early Christian graves in the necropolis at the eastern edge of the Fayoum, and the monastic settlements and medieval Coptic cemetery at Naqlun. Others provide thorough examinations of archaeological sites at Karanis, Tebtunis, and Naqlun. Contributions cover the rich Christian literary heritage in Greek, Coptic, and Arabic, while art historians touch on the famous Fayoum portraits and their influence on the production of Coptic icons, as well as on the medieval wall paintings at Naqlun and in textiles, metal objects, and basketry from the region. This important volume provides for the first time an up-to-date, comprehensive treatment of Christianity and monasticism in the Fayoum Oasis. Contributors: Father Bigoul al-Suriany, Roger S. Bagnall, Dominique Bénazeth, Anne Boud’hors, Ramez Boutros, Karl-Heinz Brune, Barbara Czaja-Szewczak, Stephen Davis, Stephen Emmel, Cäcilia Fluck, Wodzimierz Godlewski, Wilfred C. Griggs, Peter Grossman, Alexi Krol, Suzana Hodak, Anetta Lyzwa-Piber, Ewa Parandowska, Siegfried G. Richter, Marie-Hélène Rutschowscaya, Sofia Schaten, Zuzana Skalova, Jacques Van der Vliet, Youhanna Youssef.

Egypt, the birthplace of communal monasticism, has a rich store of monasteries and monastic art. Coptic Monasteries takes the reader on a tour of the best preserved and most significant of these ancient religious centers, documenting in exhaustive detail the richness and the glory of the Coptic heritage. An informative introduction by Tim Vivian brings to life the early Christian era, with background information on the origins of the Coptic Church as well as its rites and ceremonies, sketches of some of monasticism’s founding figures, and accounts of some of the difficulties they faced, from religious schism to nomadic attacks. Gawdat Gabra’s expert commentary, complemented by almost one hundred full-color photographs of newly restored wall paintings and architectural features, covers monasteries from Aswan to Wadi al-Natrun. Ranging across a thousand years of history, Gabra’s observations will make any reader an expert on the composition and content of some of Egypt’s most outstanding religious art, the salient architectural features of each monastery, as well as the ongoing process of restoration that has returned much of their original vibrancy to these works. A unique and invaluable historical record, Coptic Monasteries is equally an in-depth, on-the-spot guide to these living monuments or an armchair trip back in time to the roots of one of the world’s oldest Christian traditions.