Cairo’s museums are home to some of the richest collections of Islamic art in the world. Long the seat of great dynasties, whose rulers and descendants both amassed and patronized works of art, Cairo’s status as one of the wealthiest and most populous cities of the medieval world is reflected in the exiquisite arts and crafts that make up its collections, which expanded in the twentieth century through the purchase of private collections so that they now include not just the arts of the dynasties that made Cairo their capital, such as the Fatimids, Ayyubids, and Mamluks, but material from other important areas of the Islamic world, such as Iran and Turkey. Masterpieces of every medium are represented, including the decorative arts of ceramics, metalwork, textiles, woodwork, glass, carved stone and ivory, and the art of the book. The objects vary from pieces made for purely secular purposes, many of them with blazons showing that they were the property of the great amirs of the time, to some of the choicest examples recovered from the architectural masterpieces that permeate Cairo’s landscape. An introductory chapter guides the reader into the world of Islam and its art, while subsequent chapters unfold and describe the riches of the works of art that were crafted and amassed throughout the ages. The book is lavishly illustrated throughout with specially commissioned color photographs. Contributors: Mohamed Abbas, Noha Abou-Khatwa, Farouk Askar, Mohamed Hamza, Bernard O’Kane.
The Treasures of Islamic Art in the Museums of Cairo
300 color illus.
For sale worldwide
Also available by this author
The World of Islamic Art presents a vivid portrait of the cultural heritage of Islam and its great artistic traditions, across an enormous span of geography and time. Having originated in the remote deserts of the Arabian peninsula, Islam grew so quickly that within a century it had dominated North Africa and the former Christian heartlands of Syria and Anatolia. From there the community of believers spread eastward to Persia, Afghanistan, Central Asia, and India, eventually reaching China, Indonesia, and elsewhere in the Far East. The historical diffusion of this truly global religion is related in seven chapters devoted to regionally dominant kingdoms and empires. Each chapter contains an illuminating commentary revealing the beauty and breadth of the many artistic influences—it is explained, for example, how figural imagery was often displaced by calligraphic and geometric forms, and how the sense of the divine in Islam came to be symbolized by the harmonious use of color, pattern, and proportion. Illustrated throughout with a wealth of ornate, often sublime, examples, which include paintings, jewelry, metalwork, sculpture, architecture, and many other art forms, The World of Islamic Art celebrates Islam’s truly magnificent contribution to the cultural and spiritual heritage of humankind....read more
170 color photographs
Architecture for the Poor
An Experiment in Rural Egypt
Hassan Fathy 18.95
An Experiment in Rural EgyptHassan Fathy
In this now classic work, Hassan Fathy, Egypt’s greatest twentieth-century architect, describes in detail his plan for building the village of New Gourna on the west bank of the Nile at Luxor, employing both the traditional building material, mud brick, and such traditional Egyptian architectural features as enclosed courtyards and domed and vaulted roofing. Fathy worked closely with the people to tailor his designs to their needs; he taught them how to work with the mud bricks, supervised the erection of the buildings, and encouraged the revival of ancient techniques, such as the use of claustra (mud-brick latticework) to adorn the buildings. Although bureaucratic red tape and other problems prevented the completion of New Gourna, Fathy’s ideas have since commanded widespread attention both inside and outside Egypt, and Architecture for the Poor remains a testament to his vision as an architect of conscience. “Fathy demonstrates very powerfully that it is possible to build for the poor … cheaply and humanly by the use of earth for building and by teaching people to build for themselves. There is no other book quite like this.” —Choice...read more
8 December 2016
132 b/w illus.
Architecture for the Dead
Cairo’s Medieval Necropolis
Galila El Kadi Alain Bonnamy 29.95
Cairo’s Medieval NecropolisGalila El Kadi
The great medieval necropolis of Cairo, comprising two main areas that together stretch twelve kilometers from north to south, constitutes a major feature of the city’s urban landscape. With monumental and smaller-scale mausolea dating from all eras since early medieval times, and boasting some of the finest examples of Mamluk architecture not just in the city but in the region, the necropolis is an unparalleled—and until now largely undocumented—architectural treasure trove. In Architecture for the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailed and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest—but elaborately decorated—wooden structures. The book also documents the modern settlement of the necropolis by families creating a space for the living in and among the tombs and architecture for the dead....read more
320 b/w illus., 105 maps and plans
Egypt and Nubia / The Holy Land
Deluxe Gift edition
Drawings by David Roberts, R.A. With historical descriptions by William Brockedon Lithographed by Louis Haghe 100.00
Deluxe Gift editionDrawings byDavid Roberts, R.A.
With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding new two-volume edition that reproduces for the first time since the original editions of the 1840s all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this new edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this very special boxed edition....read more
3 volume boxed set320 + 288 + 32 pp.
247 color plates
Creswell Photographs Re-examined
New Perspectives on Islamic Architecture
Edited by Bernard O’Kane 29.95
New Perspectives on Islamic ArchitectureEdited by Bernard O’Kane
The Creswell photographic archive at the American University in Cairo is an invaluable resource of over 12,000 printed images of Islamic architecture, mainly in Cairo, but also including buildings in other important cities such as Córdoba and Baghdad. Creswell’s own photographs constitute the majority of the collection, but he also assembled work by photographers active in the decades before he began his systematic recording in the 1920s. This volume of collected studies seeks to highlight the value of this collection for scholars, who can examine the visual evidence of architecture now destroyed or altered in order to better understand various aspects of these significant buildings. Contributors discuss such issues as epigraphy in domestic and religious architecture, the use of early photographs as guides for modern restoration, and military architecture. Contributors: Tarek Galal Abdel-Hamid, Noha Abou-Khatwa, Conchita Añorve-Tschirgi, Dina Ishak Bakhoum, Nairy Hampikian, May al-Ibrashy, Hani Hamza, Chahinda Karim, Dina Montasser, Bernard O’Kane, Seif El-Rashidi, Ola Seif, Nicholas Warner....read more
125 illus. incl. 25 color