The origins of the Monastery of Saint Catherine at the foot of Mount Sinai date to A.D. 324, when a community of monks requested Helena, the mother of Emperor Constantine, to build a chapel on the spot where they believed the Burning Bush had stood. Two centuries later, Emperor Justinian had the building enlarged and massive walls built, and thus the Monastery remained for centuries—an oasis of peace, shrouded in mystery and sacredness. Not even the Crusades left a trace of their passing, except for some graffiti carved in the refectory. Today St. Catherine’s has become a place of pilgrimage and international tourism. Visitors are attracted by the route—which crosses the colorful Sinai Desert to reach Jebel Musa, the Mount Sinai of the Old Testament—and, above all, by the charm of the monastery itself, rich in artistic and historical treasures and deep in serenity. This book takes the reader inside one of the most important places in the Christian landscape, through stunning pictures taken by renowned photographers. The text gives an account of the history of the holy site, as well as of recent investigations and discoveries. The exceptional quality of the illustrations and text make this very affordable book a worthy tribute to one of the Christian world’s most famous monasteries.
The Treasures of the Monastery of Saint Catherine
Text by
Corinna Rossi
Photographs byAraldo De Luca
With a foreword byArchbishop Damianos of Sinai
208 pp.
Over 200 color photographs
25.5X35.5cm
ISBN 9789774249136
For sale only in the Middle East
24.95
Related products
Egypt and Nubia / The Holy Land
Limited Collector’s edition
Drawings byDavid Roberts, R.A.With historical descriptions byWilliam Brockedon
Lithographed byLouis Haghe
The genius and sensitivity of the justly celebrated nineteenth-century Scottish artist David Roberts are fully revealed in this outstanding special three-volume collector’s edition that reproduces in unprecedented print quality all 247 of Roberts’ published drawings of Egypt and the Holy Land. In 1838 and 1839, Roberts spent eleven months traveling and sketching throughout Egypt from Alexandria to Abu Simbel and through Sinai to Petra, Jerusalem, Palestine, and Lebanon. The 247 lithographs that Belgian engraver Louis Haghe then produced at the rate of one a month from the drawings executed during Roberts’ extraordinary trip were published in six volumes by Francis Graham Moon, as The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia (1842–46) and Egypt and Nubia (1846–49). This monumental work assured the artist of a fame that has lasted until the modern day. Once again in this limited collector’s edition, the wonders that Roberts saw on his trip and the style of life in the Middle East in the middle of the nineteenth century are brought vividly to life by the pictures and the original accompanying texts by the Reverend George Croly and William Brockedon. All admirers of David Roberts will want to own this unique and exquisitely produced edition.
...read more
3 volume boxed set
320 + 288 + 32 pp.247 color plates
26X36cm
250.00
Ibn Tulun
His Lost City and Great Mosque
Tarek SwelimAhmad Ibn Tulun (835–84), the son of a Turkic slave in the Abbasid court of Baghdad, became the founder of the first independent state in Egypt since antiquity, and builder of Egypt’s short-lived third capital of the Islamic era, al-Qata’i‘ and its great congregational mosque. After recounting the story of Ibn Tulun and his successors, architectural historian Tarek Swelim presents a topographic survey of al-Qata’i‘, a city lost since its complete destruction in 905. He then provides a detailed architectural analysis of the Mosque of Ibn Tulun, which was spared the destruction and is now the oldest surviving mosque in Egypt and Africa, from the time of its completion until today. Rare archival illustrations and early photographs document the changing appearance and uses of the mosque in modern times, while extraordinary 3D computer renderings take us back in time to recreate its architectural development through its early centuries. Plans, drawings, and maps complement the history, while striking modern color photographs showcase the elegant simplicity of the building’s architecture and decoration. This definitive and generously illustrated book will appeal to scholars and students of Islamic art history, as well as to anyone interested in or inspired by the beauty of early mosque architecture.
...read more
29 November 2015
Hardbound
322 pp.120 illus., including color photos, computer drawings, archival prints
19X24cm
39.95
Early Persian Painting
Kalila and Dimna Manuscripts of the Late 14th Century
Bernard O’KaneKalila wa Dimna (or The Fables of Bidpai) is one of the gems of world culture, having been translated through the centuries everywhere from China to Spain. The stories of Kalila wa Dimna, like the Fables of Aesop or Lafontaine, are subtle and suggestive moral tales—a kind of repository of wisdom and understanding about the human condition. It was the most commonly illustrated medieval Islamic text. This book focuses on the group of seven Persian manuscripts from the second half of the fourteenth century, which contain several of the finest masterpieces of Persian painting. It is a work of enormous erudition and scholarly importance, a huge contribution for art historians and students interested in Persian painting and early Islamic art. In a world now besotted with images, these superb early paintings can give us a glimpse of the power and delight that they must have given their original viewers, and help explain the work’s attractiveness throughout the ages. “These pages will remain forever as a basic tool for all further work on this particular text and as a model for the study of illustrated manuscripts in general”—Oleg Grabar, Institute for Advanced Study, Princeton
...read more
Hardbound
336 pp.50 b/w, 91 color illus.
25X28cm
35.00
Gaza Graffiti
Messages of Love and Politics
Mia GröndahlGraffiti began in Gaza in 1987, during the first Intifada, when there was no Palestinian television or radio in the Gaza Strip, and no newspapers: the messages that spread along the walls became an important means of communication. Over the years, all political groups have had their own graffiti artists. Scrawl is not tolerated—it has to look good. Hamas even offers evening classes in graffiti. Documenting the writings on the walls of Gaza over a period of seven years, celebrated Swedish photojournalist Mia Gröndahl lays before us the many roles that they perform, the colorful and surprising range of their artistic expression, and their reflection of the changing political situation. And apart from political slogans, the walls bear witness too to joy and sadness: the wedding celebrations, the many victims of the conflict, and the ever present hope of peace and freedom. For us on the outside, Mia Gröndahl’s photographs offer an exciting and unexpected view of life in Gaza.
...read more
Paperback
152 pp.150 color illus.
24X21cm
16.95