In 1872, Ismail Pasha, the khedive of Egypt, was the first to adopt the European custom of positioning heroic statues on public display as a symbolic message of the continuing authority of the ruling Muhammad Ali dynasty to which he belonged, but it was not until the early twentieth century and the determination of sculptor Mahmoud Mukhtar that such public art gained general acceptance, and today statues stand, ride, or sit in the streets, squares, and gardens of Cairo. Each sculpture adds a piece to the jigsaw of history spanning personalities and events that shaped the city and wider Egypt from 1805 to 1970, and here Cairo-based author Lesley Lababidi provides a unique perspective on Egyptian history through looking at more than thirty statues and monumental sculptures and the stories behind them. Between statues, she explores Cairo’s growth and its multidimensional identity, as manifested in the development and changing use of city space over the centuries, and examines the relationship of Cairo’s modern denizens with the landscapes, districts, palaces, archaeological sites, cafés, bridges, and gardens of their great and maddening city, the Mother of the World. Illustrated throughout with color photographs and archival pictures, Cairo’s Street Stories presents a unique and lively view of the history that fashioned the city’s streets and open spaces, and of the many and often unexpected uses to which its inventive inhabitants put them.

David Roberts, one of the most skilled landscape artists of his time, set out for Egypt in 1838, where he made countless sketches of the most remarkable sites and monuments during the course of his eleven-month journey through Egypt, Sinai, and the Levant. Superb lithographs made from his work, first published between 1846 and 1848, are richly reproduced here in resplendent color, along with Roberts’s diary accounts of his travels along the Nile Valley from Alexandria to the fabulous Abu Simbel temples. Each illustration is accompanied by a photograph showing the same view more than 150 years later. Fabio Bourbon’s lucid essay introduces anew this nineteenth-century fine artist and contextualizes his images for the modern reader.