Sinai has long attracted travelers to its ancient caravan routes and haunting landscapes, and visitors have frequently left written accounts of their experiences. In this wide-ranging anthology, Deborah Manley and Sahar Abdel- Hakim have collected dozens of accounts and observations from travelers who have written about Sinai, its people, its sights, and its historical and biblical landmarks. Starting with Egeria, a fourth-century Christian who relates her visit to Mt. Sinai and the Burning Bush, Traveling through Sinai offers a diverse collection of voices over the centuries. Among themare the German friar Felix Fabri, who visited in 1492, and nineteenth-century antiquarian William Flinders Petrie, giving his impressions of the Bedouins of the peninsula. French novelist Alexandre Dumas writes of meeting two monks in the desert carrying a letter signed by Napoleon, while others describe crossing the canal at Suez, the ancient inscriptions of Wadi Mukattab, and the harrowing experiences of desert travel.
Traveling through Sinai
From the Fourth to the Twenty-first Century
Edited by
Deborah Manley
Sahar Abdel-Hakim
13 April 2009
272 pp.
16 b/w illus.
15X23cm
ISBN 9789774162817
For sale worldwide
$24.95
Also available by this author
Women Travelers in Egypt
From the Eighteenth to the Twenty-first Century
Edited by Deborah ManleyUntil late in the nineteenth century, few guidebooks acknowledged the presence of women as travelers—although women had been traveling around the world for centuries. Women’s accounts of their journeys, distinct from those of male travelers, began to appear more frequently in the early nineteenth century, and Egypt was a popular destination. Women had more time to watch and describe; they were more dependent on the Egyptian staff; they spent time both in the harems of Cairo and with the women they met along the Nile. Some of them, like Sarah Belzoni, Sophia Poole, and Ellen Chennells, spoke Arabic. Others wrote engagingly of their experiences as observers of an exotic culture, with special access to some places no man could ever go. From Eliza Fay’s description of arriving in Egypt in 1779 to Rosemary Mahoney’s daring trip down the Nile in a rowboat in 2006, this lively collection of writing by over forty women travelers includes Lady Evelyn Cobbold, Isabella Bird, Winifred Blackman, Norma Lorimer, Harriet Martineau, Florence Nightingale, Amelia Edwards, and Lucie Duff Gordon.
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15 March 15
Paperback
256 pp.20 b/w illus.
15X23cm
$19.95
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A Cairo Anthology gathers together the impressions of many of these writers: with them we experience the excitement of exploring the great city, through its crowded streets and colorful bazaars, we enter the hotels, hire donkeys, ascend to the historic Citadel, and look out across the Nile toward the Sphinx and the Pyramids, and we visit those vast monuments that are in reality always larger and more extraordinary than one can believe, and climb to their summits to gaze back at Cairo, the Mother of the World.
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David Roberts’ Egypt
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High above Egypt’s Desert and Oases
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Photographed from the sky, Egypt shows the best of itself. The course of the Nile, which cuts the desert in two from north to south, and the enormous Delta provide glorious, lush vegetation sliced by a deep blue band. The white sails that slide over its waters and the spectacular monuments that line its banks, the human ants’ nest of Cairo, the Pyramids and the Sphinx, palm groves and fertile fields, rocky mountains, coral seas, and the ever-changing waves of the dunes in the desert: all of Egypt’s magical panoramas and incomparable light are offered here in this series of five spectacular new books, together constituting the greatest collection of aerial views of the country ever made.
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Lesley LababidiIn 1872, Ismail Pasha, the khedive of Egypt, was the first to adopt the European custom of positioning heroic statues on public display as a symbolic message of the continuing authority of the ruling Muhammad Ali dynasty to which he belonged, but it was not until the early twentieth century and the determination of sculptor Mahmoud Mukhtar that such public art gained general acceptance, and today statues stand, ride, or sit in the streets, squares, and gardens of Cairo. Each sculpture adds a piece to the jigsaw of history spanning personalities and events that shaped the city and wider Egypt from 1805 to 1970, and here Cairo-based author Lesley Lababidi provides a unique perspective on Egyptian history through looking at more than thirty statues and monumental sculptures and the stories behind them. Between statues, she explores Cairo’s growth and its multidimensional identity, as manifested in the development and changing use of city space over the centuries, and examines the relationship of Cairo’s modern denizens with the landscapes, districts, palaces, archaeological sites, cafés, bridges, and gardens of their great and maddening city, the Mother of the World. Illustrated throughout with color photographs and archival pictures, Cairo’s Street Stories presents a unique and lively view of the history that fashioned the city’s streets and open spaces, and of the many and often unexpected uses to which its inventive inhabitants put them.
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