In 1872, Ismail Pasha, the khedive of Egypt, was the first to adopt the European custom of positioning heroic statues on public display as a symbolic message of the continuing authority of the ruling Muhammad Ali dynasty to which he belonged, but it was not until the early twentieth century and the determination of sculptor Mahmoud Mukhtar that such public art gained general acceptance, and today statues stand, ride, or sit in the streets, squares, and gardens of Cairo. Each sculpture adds a piece to the jigsaw of history spanning personalities and events that shaped the city and wider Egypt from 1805 to 1970, and here Cairo-based author Lesley Lababidi provides a unique perspective on Egyptian history through looking at more than thirty statues and monumental sculptures and the stories behind them. Between statues, she explores Cairo’s growth and its multidimensional identity, as manifested in the development and changing use of city space over the centuries, and examines the relationship of Cairo’s modern denizens with the landscapes, districts, palaces, archaeological sites, cafés, bridges, and gardens of their great and maddening city, the Mother of the World. Illustrated throughout with color photographs and archival pictures, Cairo’s Street Stories presents a unique and lively view of the history that fashioned the city’s streets and open spaces, and of the many and often unexpected uses to which its inventive inhabitants put them.

Cairo is a 1,400-year old metropolis whose streets are inscribed with sagas, a place where the pressures of life test people’s equanimity to the limit. Virtually surrounded by desert, sixteen million Cairenes cling to the Nile and each other, proximities that color and shape lives. Packed with incident and anecdote, Cairo: City of Sand describes the city’s given circumstances and people’s attitudes of response. Apart from a brisk historical overview, this book focuses on the present moment of one of the world’s most illustrious and irreducible cities. Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition, and bureaucracy in everyday life. The book explores Cairo’s relationship with its ‘others,’ from the French and British occupations to modern influences like tourism and consumerism. Cairo also discusses characteristic styles of communication, and linguistic memes, including slang, grandiloquence, curses, and jokes. Cairo exists by virtue of these interactions, synergies of necessity, creativity, and the presence or absence of power. Cairo, City of Sand reveals a peerless urban balancing act, and transmits the city’s overriding message: the breadth of the human capacity for loss, astonishment, and delight.