Wonders of the Horus Temple Reviews

In 1862, the Prince of Wales, eldest son of Britain’s Queen Victoria, embarked on a grand tour of the Middle East, for his education and enlightenment. Accompanying the royal party was Francis Bedford, an accomplished practitioner of the still young art of photography, charged with taking views of the cities and historic places visited on the tour for the royal album. The result is an extraordinary collection of some of the best early photographs of Cairo and the temples of Upper Egypt, Jerusalem and the Holy Land, Lebanon and Damascus, Izmir and Constantinople. From timeless views of the Pyramids, the Dome of the Rock, Baalbek, and Hagia Sophia to scenes from another age of the streets of Cairo or tall ships on the Bosphorus, 120 of Bedford’s most outstanding photographs are showcased here in this fascinating visual tour of ancient lands in royal company.

Cairo is a 1,400-year old metropolis whose streets are inscribed with sagas, a place where the pressures of life test people’s equanimity to the limit. Virtually surrounded by desert, sixteen million Cairenes cling to the Nile and each other, proximities that color and shape lives. Packed with incident and anecdote, Cairo: City of Sand describes the city’s given circumstances and people’s attitudes of response. Apart from a brisk historical overview, this book focuses on the present moment of one of the world’s most illustrious and irreducible cities. Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition, and bureaucracy in everyday life. The book explores Cairo’s relationship with its ‘others,’ from the French and British occupations to modern influences like tourism and consumerism. Cairo also discusses characteristic styles of communication, and linguistic memes, including slang, grandiloquence, curses, and jokes. Cairo exists by virtue of these interactions, synergies of necessity, creativity, and the presence or absence of power. Cairo, City of Sand reveals a peerless urban balancing act, and transmits the city’s overriding message: the breadth of the human capacity for loss, astonishment, and delight.