The American University in Cairo Press, founded in 1960, celebrates its 50th anniversary in 2010. In half a century, the Press has grown from producing one or two books a year in the 1960s to its position today as the leading English-language publisher of the Middle East, with an annual publication program of up to 100 new books, and a backlist catalog offering of over 1,000 publications. To celebrate 50 years of excellence in publishing, Aleya Serour has drawn together extracts from some of the milestones among the fertile and diverse output of the AUC Press over five decades. Here is history, from Kent Weeks on ancient Thebes to Galal Amin on modern Egyptian society; culture, from Bernard O’Kane on early Mamluk decorative arts to Azza Fahmy on jewelry for spirit appeasement; and the best of Arabic literature in translation, from Taha Hussein and Naguib Mahfouz to Alaa Al Aswany and Ahmed Alaidy. . . . And much more, giving a rounded picture of the cultural contribution of one of the major players in Middle East publishing. Click here to download the free PDF.
History, Literature, and Culture
For sale worldwide
An Arab Philosophy of History
Selections from the Prolegomena of Ibn Khaldun of Tunis (1332–1406)
Translated and arranged by Charles Issawi
Selections from the Prolegomena of Ibn Khaldun of Tunis (1332–1406)Translated and arranged by Charles Issawi
The Prolegomena of Ibn Khaldun of Tunis (A.D. 1332–1406) are in many ways the most remarkable product of Islamic thought. Not only did Ibn Khaldun sum up the accumulated knowledge and leading doctrines of his civilization, but in many fields he broke new ground and anticipated the findings of Western social scientists of the last two centuries. The passages have been grouped to illustrate Ibn Khaldun’s views on historical method, geography, economics, public finance, population, society and state, and the theory of being and theory of knowledge. This selection is intended for students of thought, rather than specialized Arabic scholars, and for those interested in the intellectual background of the Arab world....read more
The City VictoriousMax Rodenbeck
After 5,000 years of continuous habitation, Cairo remains the greatest metropolis in its quarter of the globe. The seat of pharaohs and sultans, the prize of conquerors from Alexander to Napoleon, the city has never stopped reinventing itself. ‘The Victorious’ is what the Arabs called Cairo, and the indomitable spirit of the place still merits the name. Max Rodenbeck’s richly textured biography combines a sweeping timescale with a keen eye for telling detail. It traces the life of Cairo from birth—the ancient Egyptians believed Creation itself took place there—through the heights of medieval splendor, and on to the present day. Modern Cairo is a place of stark contrasts. Skyscrapers abut ancient tombs and genteel colonial mansions. Pulled between the cultural poles of Paris and Mecca, the city’s population struggles under a double load as they cope with the burden of an incomparably rich past as well as the challenges of the future. Cairo: The City Victorious is a cultural excavation of one of the world’s great cities. Fusing the excitement of travel with the stimulation of history, it is an epic, resonant work....read more
Contesting Antiquity in Egypt
Archaeologies, Museums, and the Struggle for Identities from World War I to Nasser
Donald Malcolm Reid
Archaeologies, Museums, and the Struggle for Identities from World War I to NasserDonald Malcolm Reid
The sensational discovery in 1922 of Tutankhamun’s tomb, close on the heels of Britain’s declaration of Egyptian independence, accelerated the growth in Egypt of both Egyptology as a formal discipline and of ‘pharaonism’—popular interest in ancient Egypt—as an inspiration in the struggle for full independence. Emphasizing the three decades from 1922 until Nasser’s revolution in 1952, this compelling follow-up to Whose Pharaohs? looks at the ways in which Egypt developed its own archaeologies—Islamic, Coptic, and Greco-Roman, as well as the more dominant ancient Egyptian. Each of these four archaeologies had given birth to, and grown up around, a major antiquities museum in Egypt. Later, Cairo, Alexandria, and Ain Shams universities joined in shaping these fields. Contesting Antiquity in Egypt brings all four disciplines, as well as the closely related history of tourism, together in a single engaging framework.
Throughout this semi-colonial era, the British fought a prolonged rearguard action to retain control of the country while the French continued to dominate the Antiquities Service, as they had since 1858. Traditional accounts highlight the role of European and American archaeologists in discovering and interpreting Egypt’s long past. Donald Reid redresses the balance by also paying close attention to the lives and careers of often-neglected Egyptian specialists. He draws attention not only to the contests between westerners and Egyptians over the control of antiquities, but also to passionate debates among Egyptians themselves over pharaonism in relation to Islam and Arabism during a critical period of nascent nationalism.
Drawing on rich archival and published sources, extensive interviews, and material objects ranging from statues and murals to photographs and postage stamps, this comprehensive study by one of the leading scholars in the field will make fascinating reading for scholars and students of Middle East history, archaeology, politics, and museum and heritage studies, as well as for the interested lay reader.
To read an excerpt, click here.
For the Table of Contents, click here....read more
3 September 2019
92 integrated b/w illus., 1 map, 7 tables
An Armenian Artist in Ottoman Egypt
Yuhanna al-Armani and His Coptic Icons
Magdi Guirguis Introduction by Nelly Hanna
Yuhanna al-Armani and His Coptic IconsMagdi Guirguis
Introduction by Nelly Hanna
Yuhanna al-Armani has long been known by historians of Coptic art as an eighteenth-century Armenian icon painter who lived and worked in Ottoman Cairo. Here for the first time is an account of his life that looks beyond his artistic production to place him firmly in the social, political, and economic milieu in which he moved and the confluence of interests that allowed him to flourish as a painter. Who was Yuhanna al-Armani? What was his network of relationships? How does this shed light on the contacts between Cairo’s Coptic and Armenian communities in the eighteenth century? Why was there so much demand for his work at that particular time? And how did a member of Cairo’s then relatively modest Armenian community reach such heights of artistic and creative endeavor? Drawing on eighteenth-century deeds relating to al-Armani and other members of his social network recorded in the registers of the Ottoman courts, Magdi Guirguis offers a fascinating glimpse into the ways of life of urban dwellers in eighteenth-century Cairo, at a time when a civilian elite had reached a high level of prominence and wealth. Illustrated with 28 full-color reproductions of al-Armani’s icons, An Armenian Artist in Ottoman Egypt is a rich and compelling window on Cairene social history that will interest students and scholars of art history, Coptic studies, or Ottoman history....read more
15 April 2008
28 color illus.