From the Neolithic cave paintings in Wadi Sura—created long before it was a desert when the region was savannah grassland—to the Valley of the Kings to the rock-cut temples at Abu Simbel, and from the vast temple complexes at Karnak and Luxor to the funerary mask of Tutankhamun and, of course, to the pyramids and the Sphinx, Ancient Egypt is a hugely colorful guide to the surviving wonders of Egyptian antiquity. Today the exceptional beauty and scale of the antiquities is legendary, drawing millions of visitors to Egypt’s monuments each year.
Arranged by region, the book takes the reader along the ancient settlements that were established on the banks of the River Nile. Through beautiful photographs and expert captions, the reader gains an understanding of how ancient Egypt developed its trade links and became such a powerful and wealthy force across North Africa and the eastern Mediterranean.
Alongside the world-famous places, there are also fascinating, lesser-known entries, such as the Step Pyramid of Djoser, the bent pyramid at Dahshur and the Statue of Khaefre. Featuring monuments and obelisks, hieroglyphics and jewelry, funerary masks, tombs and mausoleums, mummies of cats and statues of falcon-headed gods, Ancient Egypt: Visual Explorer Guide includes 160 outstanding photographs and captions.
While many of the Arab documentary films that emerged after the digital turn in the 1990s have been the subject of close scholarly and media attention, far less well studied is the immense wealth of Arab documentaries produced during the celluloid era. These ranged from newsreels to information, propaganda, and educational films, travelogues, as well as more radical, artistic formats, such as direct cinema and film essays. This collected volume sets out to examine the long history of Arab nonfiction filmmaking in the Middle East and North Africa across a range of national trajectories and documentary styles, from the early twentieth century to the present.
Documentary Filmmaking in the Middle East and North Africa traces the historical development of documentary filmmaking with an eye to the widely varied socio-political, ethnic, linguistic, and cultural contexts in which the films emerged. Thematically, the contributions provide insights into a whole range of relevant issues, both theoretical and historical, such as structural development and state intervention, formats and aesthetics, new media, politics of representation, auteurs, subjectivity, minority filmmaking, ‘Artivism,’ and revolution.
Ali Abudlameer, Hend Alawadhi, Jamal Bahmad, Ahmed Bedjaoui, Dore Bowen, Shohini Chaudhuri, Donatella della Ratta, Yasmin Desouki, Kay Dickinson, Ali Essafi, Nouri Gana, Mohannad Ghawanmeh, Olivier Hadouchi, Ahmad Izzo, Alisa Lebow, Peter Limbrick, Florence Martin, Irit Neidhardt, Stefan Pethke, Mathilde Rouxel, Viviane Saglier, Viola Shafik, Ella Shohat, Mohamad Soueid, Hanan Toukan, Oraib Toukan, Stefanie van der Peer, Nadia Yaqub, Alia Yunis, Hady Zaccak.
In 1986, when this memoir opens, Khaled al-Berry is a typical fourteen-year-old boy in Asyut in Upper Egypt. Soon, his love of soccer draws him into the orbit of members of a radical Islamist group, university students from the surrounding countryside who play the game regularly on a pitch near his home. Attracted at first by the image of the group as “strong Muslims,” al-Berry’s involvement develops until he finds himself deeply committed to its beliefs and implicated in its activities. This ends when, in his third year at university, he is arrested on campus by the police and thrown in jail. His experience of confinement and a return to life on the outside lead to his eventual alienation from radical Islam.
Vulnerable, searingly honest, gripping, and often funny, this tale of one man’s journey to the edge of radicalism and back also gives critical and intelligent insight into an Islamist movement’s debates, preoccupations, motives, and intentions.
What are the long-term structural features of the Egyptian economy? What are the factors that have facilitated or inhibited its performance? This crucial and timely work answers these questions and more by examining the most important economic decisions to have impacted the Egyptian economy since 1952 and the political factors behind them.
Drawing on Khalid Ikram’s extensive knowledge of economic policymaking at the highest levels, The Political Economy of Reforms in Egypt lays out the enduring features of the Egyptian economy and its performance since 1952 before presenting an account of policymaking, growth, and structural change under the country’s successive presidents to the present day. Topics covered include agrarian reforms; the Aswan High Dam; the move towards Arab socialism and a planned economy; the reversal of strategy and the infitah; fiscal, monetary, and exchange-rate policies; consumer subsidies; external debt crises; negotiations between Egypt and international donors and financial institutions; privatization; labor and employment; and poverty and income distribution. The analysis concludes with an examination of institutional reforms and development strategies to tackle the Egyptian economy’s structural problems and lay the foundation for sustained and rapid growth.
This easy-to-use beginner’s level guide to Egyptian Colloquial Arabic (ECA) grammar is the ideal supplement for students of ECA as a foreign language. Keda Mazbuut is divided into twenty-five lessons, each devoted to a key grammatical rule, with examples to illustrate usage followed by a variety of exercises. Drawing on twenty-five years of experience as a full-time teacher of Arabic, Mona Hassan has organized the lesson topics to gradually progress in difficulty, from basic nominal sentences to more complex grammatical structures such as the imperative and conditional sentences. All rules are explained in straightforward English, while words and phrases are provided in both Arabic script and transcribed Arabic, accompanied by audio files to facilitate students’ ECA pronunciation. With its clear, user-friendly structure, Keda Mazbuut is designed to encourage students to work through grammatical rules at home, allowing them to devote more class time to the speaking activities that reinforce those rules.
Set in Cairo in the early 1950s, this novel portrays the psychological torment of Omar, an ardent
revolutionary in his youth who in middle age has been left behind by Nasser’s 1952 Revolution.
His conscience has died. As he struggles for psychological renewal, he sacrifices his work and
his family to a series of illicit love affairs, which simply increase his alienation from himself and
from the rest of the world.
Othman Bayyumi joins the civil service at the lowest point of the professional scale as an archives clerk. From the first minute in his career he is seized by a mad desire to become one day director-general of the department, and his eagerness to fulfill this ambition becomes an exalted and arduous religious quest, for the sake of which no sacrifice is too great.
First published in Arabic in 1983, this brief but powerful parable is set in a mythical, timeless Middle East. It is presented as the journal of a wanderer known as Ibn Fattouma, whose boyhood tutor had extolled the virtues of travel as a way of finding the true meaning of life. He joins a caravan and sets out to explore the world, his ultimate destination the enigmatic land of Gebel.
Raised in an Islamic society, Ibn Fattouma finds to his surprise that many of the countries he visits, though heathen, are in some ways superior to his own. His first stop results in marriage to a non-believer, and children. However, war with another country and a clash with a city official cause him to lose his family, and he is forced to leave. In another country he is imprisoned for twenty years, accused of crimes against the state. Civil war frees him, and he moves on again, always seeking an intangible he is never able to find, always vulnerable to the winds of social and political change.
Finally, he joins a caravan bound for Gebel—a country so distant and mysterious that no one has ever been known to reach it and return to tell the tale.
Based on historical events, the lives of two women living centuries apart are bound together by an enigmatic painting in this mesmerizing debut.
Art historian Yasmine has been working on restoring an unsigned portrait of a strikingly beautiful girl from the Napoleonic Era, when she discovers that the artist has embedded a lock of hair into the painting, something highly unusual. The mysterious painting came into the museum’s possession without record, and Yasmine sets out to uncover the secret concealed within this captivating work.
Meanwhile, at the close of the French Campaign in Egypt, sixteen-year-old Zeinab, the daughter of a prominent sheikh, is drawn into French high society when Napoleon himself requests her presence. Enamored by the foreign customs of the Europeans, she finds herself on a dangerous path, one that may ostracize her from her family and culture.
Seamlessly merging fiction with history, art and politics, modern day Cairo with its opulent past, this compelling story of two women caught between worlds and entangled in matters of the heart launches an entrancing new literary voice.
The business of making films takes place in tight-knit circles, which are difficult to enter into as a “participant observer.” One is compelled to absorb a tremendous amount of shop talk: names one doesn’t know, specialized terms one is not familiar with, places one hasn’t been to, bits of equipment one has never used. Professional filmmakers have no need to slow down the interaction and explain what they are talking about, hence an ethnographer must be an incredibly quick study to catch on in this world. Chihab El Khachab has done it, and has in my opinion done what no other anthropologist has accomplished. A production-side ethnography is a sort of Holy Grail for media studies scholars working in Egypt and the region. A few scholars have done it to a degree, but Making Film in Egypt is in a different class. El Khachab’s work will revolutionize how we think of Arab media production
There is a great deal to be said about ideas and imaginations of the “future” when one does not have the luxury of maintaining a slot in the present. In the midst of acute conditions of precarity and structural violences and vulnerabilities of different forms (political, economic, social, infrastructural) and magnitudes, Egyptians find ways to adapt and adjust, even experiment, with different arrangements and forms of connectedness.
By following, tracing, and accompanying friends and networks of friendship in and across Egypt’s two biggest cities, Cairo and Alexandria, this ethnographic account aims to highlight some of the contemporary meanings, forms, and purposes of friendship among young Egyptians with the aim of renewing and reviving the question, “What can friendships do?”
Against a backdrop of conditions of precarity and the ruins of finance capitalism, this study examines the manifestations of how the relationship of friendship manages to re-invent and re-define itself. Moreover, it asks whether new modes of relationality, companionship, and intimacy can be cultivated and practiced given the current neoliberal conditions of living. The questions that this study attempts to open up are focused on the re-workings, reconfigurations, and re-makings of practices of sociality and intimacy between friends.
The latest novel from renowned Palestinian writer Sahar Khalifeh, a deeply poetic account of love and resistance through a young girl’s eyes.
Nidal, after many decades of restless exile, returns to her family home in Nablus, where she had lived with her grandmother before the 1948 Nakba that scattered her family across the globe. She was a young girl when the popular resistance began and, through the bloodshed and bitter struggle, Nidal fell in love with freedom fighter Rabie. He was her first and only real love—him and all that he represented: Palestine in its youth and spring, the resistance fighters in the hills, the nation as embodied in her family home and in the land.
Many years later, Nidal and Rabie meet, and he encourages her to read her uncle Amin’s memoirs. She immerses herself in the details of her family and national past and discovers that her absent mother had been nurse and lover to Palestinian leader Abdel-Qader al-Husseini.
Set in the final days of the British Mandate, Sahar Khalifeh’s spins an epic tale filled with emotional urgency and political immediacy.
This compelling volume examines important and cross-cutting themes in the study of contemporary Middle East and North African politics and international relations in the current climate.. Drawing together contributions from scholars based within the region and beyond, it weaves together essential interdisciplinary, conceptually rich, and forward-looking content. Chapters cover population and youth, civil–military relations, soft power and geopolitical competition, regionalization and internationalization of conflict, the role of oil in reconstruction efforts, extra-regional actors, environmental politics, and specifically, the Israel–Palestine conflict. Students are supported with an extended and innovative glossary, including key concepts, actors and abbreviations. New Perspectives on Middle East Politics serves as an ideal primer and companion volume for scholars of contemporary Middle East Studies, as well as for policy professionals, journalists and the general reader engaging and re-engaging with the region.
Mohamed Abdelraouf, Gulf Research Centre, Jeddah, United Arab Emirates
Dina Arakji, Carnegie Middle East Center, Beirut, Lebanon
Eyad AlRefai, Lancaster University, Lancashire, England and King Abdulaziz University, Saudi Arabia
Philipp Casula, University of Basel, Switzerland
Ishac Diwan, Paris Sciences et Lettres and Ecole Normale Superieure, Paris, France
Seif Hendy, American University in Cairo, Egypt
Simon Mabon, Lancaster University, Lancashire, England
Robert Mason, Lancaster University, Lancashire, England
An American-born traveler to one of Istanbul’s oldest communities receives an unexpected welcome in this heart-warming and romantic debut.
Fanis is at the center of a dwindling yet stubbornly proud community of Rum, Greek Orthodox Christians, who have lived in Istanbul for centuries.
When Daphne, the American-born niece of an old friend, arrives in the city in search of her roots, she is met with a hearty welcome. Fanis is smitten by the beautiful and aloof outsider, who, despite the age difference, reminds him of the fiancée he lost in the 1955 pogrom.
Kosmas, a master pastry chef on the lookout for a good Rum wife, also falls instantly for Daphne. She is intrigued by him, but can she love him in return? Or will a family secret, deeply rooted in the painful history of the city itself, threaten their chances?
This story of love, hopeful beginnings, and ancient traditions introduces a sparkling new literary voice sure to transport and entertain.