The Watermelon Boys Reviews

Being plucked from a Baghdad café and deposited in a cell block for political prisoners is a wakeup call for Aziz, the novel’s hero and narrator, a young man who has been living on automatic pilot—as if he were a guest visiting his own life—and he is finally forced to come to terms with the flawed world we inhabit and shape. Although never charged with any offense, he must adjust to a lengthy stay in prison, where he is befriended by Salam the yard boss, Mun‘im an idealistic university student with a beautiful sister named Salwa, Yusuf an idealist dispatched to the ‘Swamp,’ Salman an anarchist schoolteacher, and Mustafa an aged farmer who dreams of an alternative society. While these imprisoned revolutionaries teach Aziz to dream that an ideal city with his name on it may lie just over the horizon, the police supervisor encourages him to think of a simple crime to which he can confess so he can be charged and eventually released. Based on the author’s own incarceration in Iraq, Cell Block Five is a clear-headed, good-humored tribute to the prison’s men—both the inmates and the guards—and an indictment of man’s gratuitous inhumanity to man, pointing out that the transition from abused to abuser, tortured to torturer, can be an easy one. Written in 1971 and published outside Iraq in 1972, Cell Block Five—the first Iraqi prison novel—was later made into a feature film in Syria. Drawing the reader subtly into the political section of an Iraqi prison, this compelling story easily transcends cultural boundaries.

Hind, newly arrived in New York with her eight-year-old son, several suitcases of unfinished manuscripts, and hardly any English, finds a room in a Brooklyn teeming with people like her who dream of becoming writers. As she discovers the various corners of her new home, they conjure up parallel memories from her childhood and her small Bedouin village in the Nile Delta: Emilia who sells used shoes at the flea market smells like Zeinab, the old woman who worked for Hind’s grandfather; the reflection of her own body as she dances tango awakens the awkwardness of her relationship to that body across the years; the story of Lilette, the Egyptian bourgeoise who has lost her memory, prompts Hind to safeguard her own. Through this kaleidoscopic spectrum of disadvantaged characters we encounter unique but familiar life histories in this award-winning and intensely moving novel of displacement and exile.